trump ballroom

Trump admin takes revenge on firm leading ballroom lawsuit

On Friday, new reporting by Politico revealed that the Trump administration has taken action against a law firm helming several multimillion-dollar lawsuits against President Donald Trump, including suits involving the White House ballroom and Kennedy Center. According to Politico, the Department of Health and Human Services cancelled two contracts it gave this year to Foley Hoag.

"In June," writes Politico, "HHS awarded a contract worth up to $12 million to Foley Hoag for legal services for the Centers for Medicare and Medicaid Services, according to USASpending.gov. Contracting data shows that $5.9 million of that contract has already been 'obligated,' or legally promised, to the firm. In May, HHS also awarded a contract worth up to $9.1 million to the firm for 'legal support for CMS drug pricing initiatives' and $4.4 million has already been obligated. HHS is the only Cabinet agency that has had contracts with the firm during the Trump administration during the Trump administration."

Politico asked HHS about the contracts, and a spokesperson said simply, “HHS does not have any existing contracts with Foley Hoag.”

According to Politico, "Foley Hoag is representing the National Trust for Historic Preservation as it sues the Trump administration over the White House ballroom and for a group of cultural organizations that is suing to prevent the Kennedy Center from being physically altered without a required public review. It also has represented Power Forward Communities to sue the EPA about canceling a $2 billion clean energy grant, worked to get bond hearings for immigrants arrested by ICE, and helped Human Rights Watch and other groups in suing the Trump administration over its efforts against the International Criminal Court."

This would not be the first time Trump has taken revenge on law firms that crossed him. Early in his second term, he signed a series of executive orders punishing firms he accused of “weaponizing” the legal system against him and promoting DEI. These orders barred several prominent law firms from entering federal buildings, revoked their security clearances, and terminated government contracts held by their clients. These firms then sued the Trump administration, arguing that the orders violated the First Amendment and the separation of powers. Federal judges blocked the orders, deeming them unconstitutional, and the DOJ eventually dropped most of its cases. A handful of firms, however, settled by agreeing to provide pro bono work.

Trump has plowed ahead with his ballroom construction and attempts to put his name on the Kennedy Center despite a number of legal setbacks. While his efforts regarding the Kennedy Center have largely been blocked by the courts -- prompting him to threaten to demolish it -- the Supreme Court has allowed him to continue moving forward with the ballroom. Both projects are wildly unpopular, with only 33 percent of Americans supporting the ballroom construction and 24 percent supporting the addition of Trump's name to the Kennedy Center.

'Fear of death': Trump’s 'psychological' reason for sabotaging the US

On Thursday, a prominent New York Times columnist warned that President Donald Trump’s dictator-like obsession with vanity construction projects poses a real danger to the country. According to Jamelle Bouie, the president’s behavior suggests that if the United States won’t celebrate him the way he desires, he will punish it by inflicting ever-greater harm and refusing to vacate the White House in 2029.

“Donald Trump is obsessed with his ballroom,” says Bouie. “He's also obsessed with building this triumphal arch right by the Lincoln Memorial and across from Arlington National Cemetery. He's being sued for this, of course, by veterans' groups saying that it is harming their ability to enjoy Arlington National Cemetery, where some of the veterans in question hope to be buried. But construction has already begun and there's a pretty good chance that it will make significant headway.”

According to Bouie, “Trump really sees the arch as the monument to himself, the great thing that will cement his legacy as president of the United States and his legacy in Washington, D.C. He feels that by constructing the arch and constructing the ballroom, there will be a permanent ode to his place in American history.” But as Bouie notes, there is no tradition of presidents building monuments to themselves in the United States. Rather in the U.S., you get a monument if the public decides you deserve one, and then it happens by vote of Congress. Trump’s approach, however, is “reminiscent of what you see in dictatorships or authoritarian countries and the like where cults of personality build monuments to the leader.”

While it’s clear that Trump “idolizes and envies” such dictators, says Bouie, “I think there's something else going on here, too, and that is that Donald Trump has a profound and debilitating fear of death.” While death is frightening for most people, notes Bouie, “Trump in particular – who is a purely egotistical being, who in a lot of ways does not really conceptualize the existence of other minds, who ties his self-worth to being known – for Trump in particular, dying constitutes the greatest single bit of existential terror because it constitutes the potential, the possibility that he'll be forgotten. And if there's one thing Donald Trump cannot tolerate, if there is one thing that constitutes the single largest blow to his ego, it is being forgotten.”

In that context, asserts Bouie, “these monuments, this arch, this ballroom, represent his effort to force himself onto historical memory, and to be remembered as he would like to remember himself: as a grand, titanic figure of American history.” Reporters often describe this behavior in terms of presidential legacy, but according to Bouie, “it's not that. It's something more elemental and more psychological than that.” What’s more, says Bouie, it’s “worrisome.”

According to Bouie, Trump's presidency should be considered a “family annihilator” presidency – a term given to those who murder multiple family members and often themselves. His 2024 election, says Bouie, was the beginning of a “revenge tour against the American people themselves for rejecting him in 2020,” and “family annihilator” fits that impulse: the “self-conscious destruction and self-destruction to vindicate one's ego.” And as Bouie warns, he fears that “given the president's desire for a legacy, given his solipsism, given his penchant for destroying things he cannot have, as we get closer to 2028 and 2029, especially if Democrats win Congress in the fall,” “this presidency's going to become all the more self-destructive. And that the energy of the administration is going to turn even more towards just inflicting destruction on the American people, on Washington D.C., on the country.”

Bouie says his greatest concern involves 2029. While he’s less worried that Trump will steal the midterms, as he at this point appears to be shrugging them off, “we have no evidence that Trump is prepared to leave office peacefully. He had one chance to do it before and he refused. And all of our available evidence tells us that Trump will cause a tremendous amount of destruction before he is forced out.” With this in mind, Bouie concludes on a grim note, warning, “ I think it's going to be pretty ugly. How ugly? I don't know. But pretty ugly.”

Inside the bunker: Hidden crisis threatens to topple top Trump official

In the view from the cheap seats, it certainly looks as if War/Defense Secretary Pete Hegseth increasingly could be in trouble over keeping his job.

While there have been reasons since his confirmation hearing to take Hegseth out of the role, the combination of a moribund strategy over Iran and a strangled Strait of Hormuz, a continuing, unpopular drain of military brainpower, and Hegseth’s prime allegiance to a culture war within the Pentagon seem to be sapping his political strength.

We are beginning to see Republican senators who supported Hegseth, a strange choice for the top military job from the start, now calling for his ouster or at least asking tough questions about why someone increasingly seen as “inept” military leadership remains in the job.

Donald Trump said last week that he had been surprised to hear that there was tumult among the military brass when Army Chief of Staff Daniel Driscoll quit, following a series of personnel decisions in which Hegseth personally struck several general officer candidates who were Black or female.

It is Hegseth who pushed for attacks in Iran over U.S. intelligence warnings, it is Hegseth who unapologetically calls for more “lethality” among our military forces even as he extends deployments, it is Hegseth who refuses to acknowledge errors in selecting civilian bomb targets, it is Hegseth who has sought to prosecute reporters for reporting that he is depleting weapons caches and leaving the Pacific unguarded. It is also Hegseth who is stepping out to campaign in Iowa for partisan Republican candidates in violation of law and tradition, and it is Hegseth who is allowing speculation that he might himself be a presidential candidate.

From pundits on the political left, there is certainty that Trump is keeping Hegseth around solely because he may be the unchallenging force to send armed troops into U.S. streets if the votes in November do not look to support Trump forces.

The Guardian wrote, “As the war drags on, Hegseth stands accused of being insufficiently engaged with such grave policy matters, preferring instead to focus on ‘cultural’ issues – sacrificing the careers of talented career officers in the process – and his future political ambitions.”

The Continuing War

Fairly or not, Hegseth finds himself once again in the spotlight as shooting has resumed in the Strait. Just days earlier, Trump and Treasury Secretary Scott Bessent had unleashed a supposed economic D-Day that would replace missiles with sanctions. It may be Trump making the conflicting calls, but it is Hegseth who personifies the war itself, along with its non-military economic effects.

Hegseth, a former weekend Fox News host with no substantive managerial experience and a personal history checked with bad deeds, is at war inside the Pentagon just as much as he is with threats to Iran, Venezuela, Cuba, Greenland and beyond.

Primarily, Hegseth needed his vision for quick strikes to work in Iran. As Hegseth keeps reminding us, the strictly military targeting has successfully destroyed Iran’s official Navy ships and blunted a central command. But resistant, decentralized Iranian forces have rebuilt missile launchers and apparently have drones and medium-range missiles galore still available to stop shipping, hit U.S. and Gulf nation bases, and to keep the U.S. tied up with policing the area for months or years.

Meanwhile, Hegseth has enraged military families with extended deployments on ships that apparently have lacked basic supplies. When questioned, Hegseth seethes at congress members who do not reflexively praise the war effort, and he seems to be in a tug of war within the Cabinet for Trump’s attention. Hegseth has drawn accusations of war crimes for ordering a succession of strikes on alleged drug-ferrying boats off the coasts of South America.

His internal Pentagon turf wars are chewing up leadership ranks, and he is mocking contributions by non-white, straight, male, Christian soldiers, airmen, sailors and Marines. He has dismissed without explanation now dozens of flag-level officers in the name of what he claims is a diversity-free environment.

Criticism from Right and Left

The criticisms are now coming in greater numbers from retired military leaders, senators like Thom Tillis, R-NC, and John Kennedy, R-La., as well as those from U.S. intelligence, and our allies along with our rivals.

Hegseth is not at Trump’s Republican political convention in Dallas this week, apparently the result of being recognized as a drag on the party’s mid-term prospects.

“The secretary of defense is a clear and present danger to the national security of the United States and the world,” said Randy Manner, a retired major general in the US national guard – in which Hegseth also served – and member of National Security Leaders for America (NSL4A), a group of former military leaders told reporters.

Retired generals are appearing on the political talk shows with loads of scorn for Hegseth’s management of military affairs and for lack of planning.

Tillis called for Trump to fire Hegseth, adding, “I have never witnessed more inept management of the brave men and women who serve our country.”

Rather than consider erroneous strikes inside Iran that once again killed civilians or weigh the broader concerns from generals and admirals around the world who have told the joint chiefs that maintaining 50,000 troops in the region and 19 warships is unsustainable, Hegseth has ordered polygraph tests for his own military leaders to determine the leak.

The question is quickly turning from whether Hegseth will face dismissal into wonder about why Trump does not see advantage in sending him away.

Terry H. Schwadron retired as a senior editor at The New York Times, Deputy Managing Editor at The Los Angeles Times and leadership jobs at The Providence (RI) Journal-Bulletin. He was part of a Pulitzer Gold Medal team in Los Angeles, and his team part of several Pulitzers in New York.

'Distracted' Trump talks life after he's 'gone' as mail-in voting begins

On Friday, the midterms officially kicked off as North Carolina mailed out its ballots, and in the face of bad Republican polling numbers and historically low approval ratings, President Donald Trump is “distracted” with his vanity project “obsession” and musing about life after he’s “gone.” This is according to CNN Senior Political Reporter Aaron Blake, who writes that Trump has become the Nero of his time, “fiddling with his ballroom plans while the Republican Party’s midterm hopes burn.”

“What’s clear is that Trump and his administration aren’t going to course correct any time soon,” says Blake. “The last 24 hours have been a case in point. And the last couple weeks have been inauspicious for anyone who hoped Trump might suddenly focus on the political task at hand.” The first ballots are now in the mail, and “despite a bevy of polling showing Americans want Trump to focus on affordability and the economy, he appears preoccupied with anything but.”

Blake notes that on Thursday alone, there were several clear examples, writing, “We learned the Trump administration has hired a new pool contractor to clean up the mess he made of the Lincoln Memorial Reflecting Pool, announced the start of construction on Trump’s 250-foot ‘triumphal arch’ and launched a series of arcade-style video games, including one that allows users to arrest undocumented immigrants. The White House is also reportedly launching a reality show-like competition for entrepreneurs, just weeks after Trump’s ‘Patriot Games’ flopped and after an actual reality show from the Department of Transportation was released… By Friday morning, two big stories — from the New Yorker and New York Magazine — detailed what can only be called Trump’s obsession with his ballroom and other construction and beautification projects in Washington, DC.”

For the New York Magazine piece, Trump even found time to give an interview and tour of the construction. According to Blake, “In perhaps the most eyebrow-raising scene, Trump actually agrees with Georgia Democratic Sen. Jon Ossoff’s contention that he’s building monuments to himself because he doesn’t think others can be counted on to do it. ‘That’s true,’ Trump said. ‘Nobody will do it once I’m gone. When I leave here, nobody will.’ The fact that Trump would say this out loud is stunning. Ossoff meant this as a dig.”

The article also notes that much of Trump’s daily schedule is committed to construction planning, and “how Trump in his public appearances often seems distracted by his construction projects as he’s attending to much more serious business.” As Blake explains, “And that’s really the problem with all of this, at least if you’re a congressional Republican staring at a concerning midterm election. It’s not just that Trump is distracted; it’s that he’s focused on things that polls show Americans view as frivolous and don’t want — at the expense of things they really want him to do (i.e. lowering prices and ending the war with Iran).”

And Americans have noticed the distraction. According to Blake, “CBS News polling has recently shown 78 percent of Americans said he’s not focused enough on lowering prices, and July CNN polling shows around the same percentage (73 percent) said he hasn’t paid enough attention to the country’s most important problems.” What’s more, “The CNN poll in July contained another telling finding. Fully 66 percent of Americans said Trump did not put the good of the country above his own personal gain. That included 76 percent of independents and 30 percent of Republicans. And more than a month later, with the 2026 general election truly kicking off, it’s as if he’s bent on proving those people right.”

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Trump gives cryptic answer about 'holing up' in ballroom bunker after 2028

On Friday, it was revealed that President Donald Trump offered a less-than-reassuring response when asked about a conspiracy theory involving his much-demanded White House ballroom. Some have suggested that once his term is up, he plans on locking himself away in the bunker being constructed beneath it. According to a reporter with the New York Intelligencer who toured the construction site with the president, Trump said little to alleviate such concerns.

“I asked Trump if he was building himself a bunker so he could hole up in the White House after the 2028 election,” wrote the Intelligencer’s D.C. correspondent Ben Terris. Trump’s reply was dodgy at best.

“I haven’t heard that one,” he said. “But I tell you what, it would be awfully tough to get you out. Nobody would be able to get you out.”

Speculation that Trump plans on “barricading” himself in the bunker has been raised for months. He announced the intention to build the ballroom last summer, began construction that fall, and controversy has plagued the project ever since. Initially, he said the ballroom was necessary for hosting state functions, arguing that it was something presidents had long desired. That rationale shifted, however, in an apparent effort to placate the public and the courts. Increasingly, Trump has referred to it in a military capacity, with the bunker playing a central role in that proposed use.

As Terris explains, “In recent months, in their successful effort to beat back attempts to slow down construction, Trump and his legal team have leaned into another justification for the project. It is, they say, a matter of national security. When the military first heard Trump talk about the ballroom, he says, top generals arranged a meeting. ‘They said, “Sir, we’d like to build things, it would be a dream, but there’s never been anything like this proposed,”’ Trump says. ‘“If we could build underground, we could go down five stories.”’ Now, whenever Trump talks about the ballroom, he always brings up the drone port that will be housed on the roof, the bulletproof windows and walls, and the underground military wing, which will replace the Presidential Emergency Operations Center, the bunker built beneath the East Wing during World War II. The new bunker will keep the president safe from nuclear blasts and contain a fully operational hospital.”

Trump’s reluctance to give up power and frequent taunts that he wants to run for a third term in 2028 have raised concerns that he intends to use the fortified bunker for nefarious purposes. As one commenter replied to the article, “He is telling you, he is never leaving. We are going to have to dig him out like a tick.”

Trump warned he’ll 'pay political price' over aggressive 'legal loopholes'

Last October, President Donald Trump told a crowd of donors that he was surprised when his aides told him he could build his White House ballroom without seeking approval. At the time, Trump explained, “They said, ‘Sir, this is the White House, you’re the president of the United States. You can do anything you want.’” He’s spent the past year testing that claim, and according to the Washington Post, Trump has been able to achieve many of his vanity projects due to “legal loopholes” and because his political allies look the other way.

The ballroom is perhaps the most discussed of Trump’s D.C. vanity projects, and he’s made numerous other changes to the grounds. As the Post explains, “Nearly every corner of the White House’s campus has been eyed for potential renovations or new construction, including a new helipad, which workers are racing to complete this month. Trump has already paved over the mansion’s Rose Garden, added gilding throughout the building and fenced off the neighboring public park for a months-long renovation project. The president has said he hopes to complete the ballroom and other projects during his term, which ends in January 2029. He and his deputies have insisted that they are beautifying Washington, even as many longtime residents and civic leaders beg him to stop.”

To accomplish such projects, explains the Post, “Trump has subverted norms that guided past presidents, ignored outraged Democrats in Congress, remade expert panels and outraced the courts. As a federal judge deliberated this spring over whether to halt Trump’s rushed renovations to the Lincoln Memorial Reflecting Pool, the administration completed its rapid six-week project before the judge could rule. (The pool has since been drained again for another batch of changes.) It is unclear whether anyone can legally stop some of Trump’s most audacious projects, such as the ballroom, despite its widespread unpopularity with the public.”

The Justice Department has claimed that only Congress can stop projects like the ballroom, with administration officials claiming lawmakers already authorized the construction by earmarking money for annual White House “improvements.” Stopping it would therefore require new legislation, and the Republicans who currently hold the majority have made it clear that they don’t intend to take such action. That forced Trump’s opponents to turn to the courts, but as the Post explains, the Supreme Court has just added another hurdle, ruling that a member of the National Trust for Historic Preservation who had challenged the ballroom probably lacked legal standing to sue. This cleared the way for the ballroom’s construction, and raises questions about whether preservationists will be able to stop future federal projects.

“If the National Trust — which was chartered by Congress in 1949 and expressly granted the power to sue — can’t use litigation to vindicate the public’s interests to historic preservation, who can?” wondered Sara Bronin, a George Washington University law professor and former chair of the Advisory Council on Historic Preservation.

According to the Post, “Republican leaders have shown little appetite for stopping Trump’s construction projects through enacting new legislative restrictions, opening investigations or taking other steps that could force the administration to pause.” And while theoretically, commissions of experts should provide a check as they review plans and proposals, Trump has largely packed them with hand-picked loyalists, resulting in a rapid approval of projects that one former appointee to the Commission of Fine Arts said is “unprecedented in recent history.” The administration also uses opposing logic to push different projects, arguing in the case of the ballroom that construction is too far along to stop, but with the 250-foot arch claiming that construction can’t be halted because it hasn’t started yet.

While courts and lawmakers have done little to stop him, according to the Post, “Trump may well pay a political price for his actions. A Washington Post-Ipsos poll in July found that 32 percent of the public was ‘enthusiastic’ or ‘satisfied’ about Trump’s construction projects, while 65 percent was ‘dissatisfied’ or ‘upset.’ The president’s focus on his construction projects may have contributed to his historic low standing with voters, which is endangering his party’s chances in this fall’s midterm elections. Democrats have vowed to launch investigations into Trump’s projects and other priorities if they retake Congress.”

As Martha Joynt Kumar, a longtime presidential historian and a political science professor emeritus at Towson University, explained, “He’s been talking about his ballroom at a time when Republicans in Congress would prefer that he talk about pocketbook issues of affordability, the price of groceries, gasoline.”

John Roberts stuns with dissent as Supreme Court rules for Trump’s ballroom

On Monday, the Supreme Court ruled that President Donald Trump can move forward with the construction of his much-demanded White House ballroom. The opinion was split 5-4, with conservative Chief Justice John Roberts siding with his liberal counterparts in opposing the ballroom. According to Roberts, "The President ordered the demolition of the East Wing of the White House to make way for a new, privately funded state ballroom in its place. Construction of the ballroom has proceeded apace for the better part of a year. That construction is likely unlawful."

As NBC News explains, "The court, divided 5-4, granted an emergency request filed by the Trump administration, blocking lower court rulings that would have put the aboveground portion of the project on hold. This followed an interim decision along similar lines issued by Chief Justice John Roberts on Aug. 21. The legal challenge was brought by the National Trust for Historic Preservation, which argued that the president did not have unilateral authority to proceed with construction. In the unsigned ruling, the court said that the trust likely does not have legal standing to bring the underlying lawsuit. The court did not reach any conclusion on whether Trump has authority to carry out construction without congressional approval."

“Today, we do not pass upon the legality of the government’s East Wing project. We conclude only that, based on the submissions before us, the government is likely to prevail in showing that the Trust lacks ... standing to challenge the project in federal court,” the court declared.

This technicality emerged from the unusual nature of the original lawsuit. According to NBC, "The trust’s claim for standing hinges on a declaration made by member Alison Hoagland, a preservationist who lives in Washington and serves on the organization’s board of trustees. Hoagland regularly walks by the White House, adding that she would 'suffer both professional and personal injuries, including to my aesthetic, cultural and historical interests, if a ballroom of the proposed form and scale were constructed.' The Supreme Court majority concluded the court had never found legal standing in such a situation before."

"Barring another lawsuit," noted Washington Post White House reporter Dan Diamond, "Trump poised to get his ballroom."

According to the Hill, "In recent days, the Trump administration has insisted the ballroom is now too far along to stop construction. The Justice Department indicated in its Supreme Court filings that the project is 65 percent complete, with a concrete-and-steel structure already stretching five stories deep and 70 feet high." A report by the Washington Post released on Friday, however, suggested that the White House may be dramatically inflating that number.

Key voting group thinks Trump has 'gone too far' with his obsession

Over the course of his second term, President Donald Trump has spent huge amounts of time and tax dollars on his Washington D.C. vanity projects, and voters are sick of it. As the New York Times explained on Monday, one group that was vital to his reelection now thinks he’s “gone too far,” and “his obsession with remaking Washington might hurt his party politically.”

According to the Times, as the war has dragged on and the economy has soured, Trump has spent “the bulk of his working hours” fixated on projects like 250-foot-tall triumphal arch, the White House ballroom, the disastrous Reflecting Pool renovation, “assorted gilded gewgaws,” and the Kennedy Center, which he now says he will have destroyed if he doesn’t get his name added to the building. And as the Times notes, “These capital projects could cost well over a billion dollars, at significant taxpayer expense, despite White House claims to the contrary.”

And voters are not happy about it. According to the Times, in a recent poll, voters were asked “whether they thought Trump had gone too far, not far enough, or had been about right when it came to making changes to cultural institutions like the Kennedy Center and the Smithsonian. Perhaps predictably.” 84 percent of Democrats said he had gone too far, while only 28 percent of Republicans agreed, which is to be expected. But tellingly, among independents, who were essential to Trump’s victory and will play a decisive role in the midterms, 63 percent said Trump had “gone too far.”

What’s more, “Asked whether Trump had gone too far when it came to pursuing his personal business interests while serving as president, 71 percent of independents agreed, as did 91 percent of Democrats and nearly a quarter of Republicans.” Fewer than one-quarter of independents agreed that Trump had placed the good of the country above his personal gain; 82 percent of independents said he hadn’t paid enough attention to the country’s most important problems.

“He was re-elected to do four things: bring down inflation, juice the economy, stop illegal immigration and get away from woke culture,” Whit Ayres, a Republican strategist, told the Times. Voters are giving him “very poor marks thus far on the first two,” he added. The message: “Voters care a lot more about what happens in their lives than what happens in his life.”

Since reentering office, Trump “has squandered what was always his superpower — people had more trust in him on the economy than they had in him as a person,” Jesse Ferguson, a Democratic strategist, told the Times. In the midterms, he said, Democrats’ core indictment of Republican decision-making is that the party is ignoring voters’ concerns, as exemplified by a president “who knows the price of marble but doesn’t know the price of milk.”

WaPo catches Trump red-handed: White House faked ballroom progress

While the Trump administration told the Supreme Court that construction on President Donald Trump’s much-demanded White House ballroom was already “65 percent finished,” a new analysis of government documents by the Washington Post has revealed that number is far higher than the reality. “By the White House’s own standard for measuring the project’s progress, established in a confidential agreement with contractor Clark Construction,” reports the Post, “work on the controversial project was far less complete.”

As the Post elaborates, “The agreement, finalized before Clark began demolition last October, stipulates that payments to the contractor be proportional to the amount of work completed, and that work cannot begin until the government approves spending for it. Based on that, if 65 percent of the work has been done, then the government should already have paid 65 percent of the total cost of the project.”

But according to publicly available appropriations data, “as of the end of July, the White House budget office had approved $144 million in spending from an account used to pay for the East Wing and other White House projects. Even if that entire amount were spent on the East Wing, it would come to only about 24 percent of the $600 million estimated construction cost that Clark provided the White House in March.” What’s more, “In the same mid-August court filing in which the administration claimed 65 percent of the project was done, it said that it had already spent ‘around $200 million.’ If the government had spent $200 million on the East Wing project, the work would be just 33 percent complete, based on the $600 million budget estimate.”

“You really want to understand why there’s such a big gap there,” said retired D.C.-area architect and former president of the American Institute of Architects Carl Elefante, calling the government’s claim about the completion percentage “doubtful.”

According to the Post, “The 65 percent claim was made in a sworn declaration by Joshua Fisher, the director for White House Management and Administration, who is overseeing the construction project. In the declaration, Fisher did not explain how the percentage was calculated but said, ‘Work has progressed too far to go back to the drawing board.’ His assertion came as the administration asked the Supreme Court to allow work on the ballroom to continue after lower courts ruled that the project was probably illegal without congressional approval and that construction must stop. The administration argued in part that stopping work while courts considered the merits of the case brought by the National Trust for Historic Preservation would cause ‘chaos in service of nothing’ because the project had already progressed ‘beyond the point of judicial intervention.’”

According to the Post’s calculations, “Measured by the expected duration of the work, the project is about 30 percent complete, according to the administration’s timeline. Fisher said in his declaration that construction began in late October 2025 and is expected to be complete in August 2028. That puts the work 10 months into a 34-month construction schedule.”

Trump is reportedly still “tinkering around” with details of the ballroom. According to the Post, “Some of those changes involve the ballroom’s exterior. Renderings that the administration shared with the Supreme Court this month included the addition of a new feature that Trump picked out — golden seals on the exterior of the ballroom — and the restoration of another feature, a staircase, that had been included in prior plans before being abandoned.”

Trump is 'dissociating' as his 'downfall' nears: Nobel economist

As it becomes increasingly evident that President Donald Trump’s “downfall” is imminent, he is going to lash out and cause as much damage to the country as he can before “losing all of his power.” This is according to Nobel Prize-winning economist Paul Krugman, who warned on Wednesday that Trump’s collapse has similarities to that of one of history’s greatest tyrants.

“It’s not news to anybody that Trump is ego-driven, disconnected from reality, and at the same time, somehow commands a level of deference and obedience from the entire machinery of the federal government that no president has ever had before,” Krugman begins. “This is really quite serious. What I don’t think people are fully aware of is just how bad it can get, given that Trump is so obviously dissociating, decompensating, that he’s not all there. Obviously, he was already a very problematic personality, which was doing a great deal of damage to the United States. I don’t think even now people fully appreciate the amount of damage that has been done. Even before the Iran War, Trump’s provocations, insults, his trade wars, really destroyed the world’s trust in America.”

But history offers frightening examples of how bad things can get. Krugman points to the German film Downfall, which portrays the final days of Adolf Hitler, saying, “the parallels are there.” For example, “Hitler was obsessed with building a gigantic gaudy ballroom.” But more pressing was the fact that “he knew that defeat was looming. He knew that his power was collapsing. And his reaction was, among other things, to take it out on his own country.” According to Krugman, “He felt that Germany had failed him. And so he had a plan, often called the Nero Decree, which was to destroy as much as possible of Germany’s infrastructure, supposedly to deny it to the victorious allies, but in large part to punish Germany.”

Here Krugman turns to Trump, saying that while the president often rejects negative polling, “he is behaving like somebody who knows that his days of supreme power are about to end. He, of course, is not going to accept that it’s his fault. It’s the fault, obviously, of the Democrats, who are all communists. It’s the fault of the Republicans, who didn’t live up to his leadership. The fault of everybody but him.”

With the end of his power approaching, Trump’s first impulse is to leave his name and imprint “everywhere.” Krugman points to reporting by Maggie Haberman and Jonathan Swan, who revealed that Trump “spends most of his time thinking about his construction projects and trying to leave his mark on everything in Washington.”

But according to Krugman, “What I don’t think we’re fully appreciating even about those projects is that there isn’t a whole lot of actual construction. There’s a lot of starting of stuff, but so far it’s been mostly destruction, mostly tearing stuff down. We don’t have a triumphal arch, but we have a hole where the ballroom is supposed to be. We have just a lot of damage having been done to our nation’s capital and to the iconic structures that were supposed to define, symbolize who we are as a country. The scale of the destruction is really quite amazing.” Noting a photo of the White House grounds marred by a combination of ballroom and UFC cage match construction, Krugman points out, “Basically, Trump has left, so far, wreckage in his wake.”

What’s more, says Krugman, “even the things which have not involved tearing stuff down, the gilding of statues, the horrific redecoration of the White House, is surpassingly ugly. That’s partly because Trump has terrible taste, but it’s also, I think, a clear sign of aggression. He’s saying, oh yeah, you’re going to give me a 33 percent approval rating? Well, I’m going to make the nation’s capital as ugly as I can in this little time as I possibly can[.] How much more will be coming?”

Krugman concludes with a grim warning, saying, “Bear in mind that Trump hates America. He hates the values on which America was built. He hates democracy. He hates rule of law. He hates all of the things that are what we’re supposed to be about as a nation. But increasingly it looks as if he just plain hates this country because it doesn’t love him. How much damage will he do? How much damage can he do? I don’t want to make a specific prediction, but I’m worried. And don’t say that he won’t do that or he can’t do that. Those have been famous last words again and again over the past decade. So this is going to be even worse, even uglier, I think than most people imagine.”

Trump's sick new delusion is suddenly 'national security'

Last week, on an emergency basis, Trump asked the Supreme Court to rescue the centerpiece of his ‘capital improvement campaign.’ Trump now calls his ballroom—a 90,000 ft.2 gilded party palace where donors in haute couture can eat wagyu beef and dance the night away—an “urgent matter of national security.”

Trump’s legal team was responding to a lower court’s stop-work order on the ballroom. An appellate panel ruled that presidents do not own the nation’s capital, or the White House, but rather are entrusted as temporary custodians. As such, they lack the unilateral authority to destroy, raze or replace core national structures without explicit approval from Congress. “The White House is the People’s House,” the majority wrote, “and under the Constitution’s Property Clause, Congress exercises plenary control over the building and its surrounding land.” Astute readers will note that ‘Congress’ is not ‘the president.’ The appellate panel went on: “The White House is owned by the American people and stewarded by the National Park Service. It is more than the President’s residence; it is a site for protests and national discourse about what it means to be American.”

Trump, selling merch and teasing an unconstitutional third run in hopes of evading legal accountability forever, has made clear that he does not respect national discourse, protests, or stewardship, and he does not see his role as temporary. Worse, his obsession with building a nuclear bunker to save himself as he threatens the world with tactical nukes is ominous.

How a party palace became a matter of “national security”

Trump has been yammering for a golden ballroom for over a decade, always framing it as a matter of dignity, aesthetics and design. “It will be a great legacy project, and I think it will be special,” he announced last July. “I think it will be really beautiful.” When he demolished the East Wing to make room for it in October, he again described the ballroom solely in terms of taste. He said then, and on many other occasions, that it was ‘unbefitting’ for a nation of the U.S.’s stature to ‘have to erect temporary tents for large events;’ national security never came up.

Even after major legal challenges arose in mid-December, Trump’s early legal pleadings still brayed about aesthetics and Trump’s need to entertain foreign palm greasers in style. As the “sole organ of American foreign policy,” Trump’s legal team argued, a president “must be able to receive ambassadors and other public ministers in an appropriate setting.”

But as federal courts began in earnest to question his authority to build it, Trump started re-marketing his ballroom by finding a new purpose for it. As presented in the WSJ, Trump began in January to shift his marketing strategy from aesthetics to national security. By March, Trump was all in on the ballroom’s “security upgrades,” which he now claims were ‘requested’ by ‘the military.’ Trump’s ballroom is no longer about space, dignity and taste. It’s all about national security, an afterthought Trump routinely trots out to defend his many sins.

Another disaster of Trump’s own making

The two-story East Wing of the White House previously held drawing rooms and offices for first ladies and their staffs. In early October of last year, without Congressional approval, without so much as a permit, Trump destroyed it. It only took Trump three days to turn 120 years of U.S. history into rubble, to make way for a party room twice the size of the entire White House.

Trump’s Supreme Court petition rests on his national security angle, disingenuously re-casting and re-marketing the whole project. U.S. Solicitor General D. John Sauer now tells the high court the ballroom is an “integrated military complex” which is “vitally required by national security.” He argues that halting construction now, to comply with the lower court’s order, would “leave an incomplete structure exposed to the elements, creating a ‘disaster’ and posing safety risks.” Sauer urges that stopping the project would “put the security of the president and his family at risk and override the advice of the nation's top military, intelligence and law enforcement officials.” The ballroom, Sauer argues, has moved “beyond the point of no return.”

So Trump’s PR strategy for selling his ballroom is now the legal strategy. The ‘nation's top military, intelligence and law enforcement officials’ have never asked for a ballroom. Rather, as the National Trust for Historic Preservation counters, Trump intentionally rushed both demolition and construction as a deliberate strategy meant to outrun judicial oversight. Trump only recently concocted his ‘national security’ angle to help promote it.

The public and members of Congress see the ballroom for what it is

When he first demolished the East Wing, Trump claimed that “presidents had wanted such a ballroom for years,” and that “some friends” of his would pay for it. He expected the American public to welcome another “free gift” from his donors and supplicants. They didn’t.

A Washington Post-Ipsos poll found that most Americans- roughly 65%- are displeased with Trump's D.C. building projects, regardless of source of funding. On the ballroom itself, standalone polling shows public opposition by a roughly 2-to-1 margin.

Members of Congress submitted a friend of the court brief in support of the lower court’s ruling, reiterating that, “For over two centuries, the White House has been renovated and maintained pursuant to congressional authorizations and appropriations.” Citing article IV section 3 of the Constitution, which places authority over federal property squarely with Congress, they urge, “Whereas the President lives in the White House for only a finite period while in office, the Constitution entrusts Congress with making long-term decisions about the “People’s House.”

It’s fitting that Congress, stripped of its authority yet again by a lawless strong man, gets the last word here. While Trump is convinced that claiming national security will make the court submit to his will, there “is no national security carveout to Congress’s control over federal property and federal spending.” Stabbing at the heart of Trump’s ruse, the Congressional brief urges that if Trump truly “believes national-security concerns require the project, there is a solution: he can bring those concerns to Congress and convince Congress to authorize the project and appropriate the requisite funds.”

Sabrina Haake is a political analyst and 25+ year federal trial attorney specializing in 1st and 14th A defense. She writes the free Substack, The Haake Take.

A little-known rule could still stop Trump's ballroom in its tracks

The fate of President Donald Trump’s estimated US$400 million White House ballroom may hinge on the little-known and somewhat surprising rules as to when the federal government and its agencies can accept privately donated funds.

That’s because Trump’s is using the fact that he’s been accepting private donations to pay for at least some of the project’s cost as a justification for not needing Congress’ explicit authorization.

A federal appeals court on Aug. 7, 2026, disagreed and left in place a lower court’s injunction that was slated to halt construction on Aug. 21. But on that same day, before the injunction took effect, U.S. Supreme Court Chief Justice John Roberts said the Trump administration could continue construction work while the court considers its request.

As a scholar of nonprofit and tax-exempt law who has studied for decades how the law governs deductible charitable contributions, including those to the government, I find that this appeals court decision calls for an explanation of the role that such private donations may play in any federal government project or activity. An intricate statutory dance is required for taxpayers to make donations to particular government agencies or for particular government purposes.

Giving to the government

You may not realize that you can make potentially tax-deductible contributions to the federal government itself. An official website lists almost two dozen programs, including the National Endowment for for the Humanities, the National Arboretum and AmeriCorps, to which U.S. citizens can donate.

But such donations are allowed to government agencies only if Congress has granted the agency statutory authority to receive those funds.

In this context, according to the reasoning of the majority in the appeals court case, that means spending donated funds to preserve the East Wing would have been automatically allowed because it stood on a national park and the National Parks Service is an agency that individuals can donate to; spending those funds to build something new to replace that structure would not be allowed unless Congress had authorized the project.

But the Trump administration has failed so far to obtain congressional authorization and appropriations for the ballroom.

The federal government has accepted donations voluntarily made by Americans since its founding.

What’s more, the Bureau of Fiscal Services – the central bank account and financial manager for the federal government – explains that it “may accept gifts donated to the United States Government” and that the account for such gifts, which dates back to 1843, was established “to accept gifts, such as bequests, from individuals wishing to express their patriotism to the United States.” Such gifts, however, are subject to restrictions.

Statutory restrictions

Since 1982, a provision of the United States Code, the official codification of all the nation’s general and permanent federal statutes, has required that these “patriotic” donations be devoted exclusively to reducing the national debt.

By law, federal agencies cannot augment congressional appropriations. The Miscellaneous Receipts Act requires that “an official or agent of the Government receiving money for the Government from any source shall deposit the money in the Treasury as soon as practicable without deduction for any charge or claim.”

Despite this seemingly absolute language, government agencies are permitted to accept gifts of money or other property when – and to the extent – they are given explicit statutory authority.

Agencies with the authority to accept gifts include the Justice Department, the State Department and the Library of Congress.

But any money must be spent only as Congress directed in establishing the agency mission. The mission of the National Park Service is the conservation and preservation of the land and structures under its jurisdiction.

In contrast, the White House does not have this authority. Its own website states that it “is unable to accept cash, checks, bonds … or other monetary equivalents” as gifts from private citizens.

‘No instance in American history’

That’s in part why the U.S. Court of Appeals for the District of Columbia Circuit held on Aug. 7 that Trump could not build the ballroom on the site of the former East Wing building.

The two judges in the majority concluded that neither the National Park Service, which is the steward for the national park on which the White House stands, nor Trump himself had satisfied all the statutory requirements needed to undertake building of the above-ground ballroom. It did not block work on an underground military bunker the Trump administration began renovating after it demolished the East Wing in October 2025.

That some, most or even all the funding comes from private donations does not protect the administration’s right to proceed with construction of the 90,000 square-foot (8,361 square-meter) ballroom because it has failed so far to obtain congressional authorization and appropriations for this project, the majority explained.

Crucial to this conclusion was a statute declaring, “A building or structure shall not be erected on any reservation, park, or public grounds of the Federal Government in the District of Columbia without express authority of Congress.”

“We are aware of no instance in American history in which a President unilaterally and using privately collected funds demolished substantial portions of the White House that Congress authorized to be built and American taxpayers paidfor,” the majority opinion says. “Until now.”

Satisfying 2 statutes

The Trump administration has pointed to two possible statutes it says provides the necessary authority to do that.

One involves the purposes for which the National Park Service can spend its funds, including privately donated funds. The other grants the president the ability to spend funds for, among other items, “the care, maintenance, repair, alteration, refurnishing, [and] improvement” of the executive residence at the White House – funds that “are authorized to be appropriated each fiscal year.”

The majority explained that authority for the president to construct the ballroom requires satisfying both of those statutes; neither alone suffices.

And it rejected the reliance on the National Park Service provision alone. That statute limits use of the service’s funds, in the words of the majority, to “the identified purposes of conservation and preservation.”

In particular, the majority ruled, the provision does not authorize the construction of a new building. Further, it held, the National Park Service provision cannot authorize the president to lead the project; only the provision related to the executive residence can do that.

As to the executive residence provision, the majority opinion explains that it “does not expressly grant the President any independent authority.”

Instead, the majority held, the president must rely on “an accompanying appropriation.” The court found no such accompanying appropriation.

Ellen P. Aprill, Senior Scholar in Residence at the UCLA Law School's Lowell Milken Center For Philanthropy And Nonprofit Law, University of California, Los Angeles

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Critics spot gigantic flaws in Trump's $400 million 'Epstein Memorial Ballroom' fight

President Donald Trump’s White House announced on Monday that he is asking the Supreme Court to overturn lower court verdicts and allow him to build a ballroom — and now anti-Trump Republicans are mocking him over it.

“Looking for Washington, D.C.'s most glamorous entertainment venue?” The Lincoln Project posted in a parody video on X. The video used a Trump-like voice to satirize the proposed White House ballroom. “Look no further than Donald Trump's Jeffrey Epstein Memorial Ballroom.”

The video added, “At the Jeffrey Epstein Memorial Ballroom, we specialize in middle school dances, sweet sixteens, quinceañeras, beauty pageants, foam parties, and so much more. The Epstein Ballroom is Washington's beautiful secret — 90,000 square feet of gold, glitter, and plaid.”

It continued, “Make your event magical with the Epstein Ballroom's Diddy Baby Oil Flume. Join DJ DJ TJ as he DJs all-ages shows. And this Christmas season, you can sit on Santa Donnie's lap.”

The satire concluded, “Say goodbye to 123 years of history, and say hello to the Donald Trump Jeffrey Epstein Memorial Ballroom. At the Donald Trump Jeffrey Epstein Memorial Ballroom — every day is a wonderful secret.”

The last comment about “a wonderful secret” references Trump’s signed birthday card to Epstein.

Also on Monday, CNN reported that Trump is going to argue the ballroom is necessary for security reasons.

"One of the arguments they have, that some people agree with, is that it is a little bit late to stop construction on this,” CNN White House correspondent Alayna Treene said during a Monday panel discussion. “There is a massive hole in the ground."

CNN's Dana Bash then said that the White House’s new argument is "literally the definition of asking for forgiveness."

Their argument also contradicts what the White House admitted in April, which is that building the White House ballroom has actually impaired the president’s security.

“The bunker emerged in the Trump administration's court fight against the National Trust for Historic Preservation, which is challenging the 90,000-square-foot (8,400-square-meter) ballroom project in Washington,” PBS said at the time. “A federal appeals court last week permitted the president to continue with construction of the project at the site of the former East Wing, which was demolished last fall.”

The network continued, “That ruling put on hold a lower-court judge's order blocking aboveground construction but exempted work to ensure the safety and security of the White House. The Republican administration's appeal cited materials that would be installed to make a ‘heavily fortified’ facility, including adding bomb shelters, military installations and a medical facility underneath the ballroom.”

Trump DOJ just made a big claim about his 'assassination'

On Friday, the Department of Justice attempted to justify the need for President Donald Trump’s much-demanded White House ballroom by making a claim that has raised some eyebrows. Trump needs the ballroom, says the DOJ, because of the threat of a missile attack against Air Force One — a threat received on the other side of the world, no less.

This is according to Politico senior legal affairs reporter Josh Gerstein, who posted, “JUST IN: DOJ, in ballroom appeal to #SCOTUS, says July 8 threat of missile attack on Air Force One was an 'assassination attempt' on Trump.” Gerstein attached a screenshot of the DOJ’s appeal, which argues that Trump needs the ballroom due to a “growing number of recent assassination attempts.” In addition to the now much-publicized threat against Air Force One last month while Trump was visiting Turkey, it lists the attack during the White House Correspondents' Dinner, the attempted shooting in Butler, Pennsylvania, a possible shooter caught stalking the president at Trump International Golf Club in Palm Beach, and a foiled plot to attack the UFC White House event with drones.

The DOJ is appealing a court order issued last week that blocks the ballroom construction. In its majority opinion, the court declared, “Executive actions that take control of that property out of the hands of the people’s representatives while irreparably harming the historical and visual architecture of perhaps the most prominent public building in the United States seriously intrude on the public interest.” Its ruling is temporarily on hold, however, while the Supreme Court hears the appeal.

While Trump initially claimed he wanted the ballroom to host state functions, his rationale shifted to the need for increased security as the public and courts pushed back against the expensive project. After judges shot down the ballroom idea, he suddenly began referring to it as a “Military Center” in an attempt to redefine and justify it. Trump also initially said that the ballroom would be paid for by private donors, but it has since come out that taxpayers will foot the bill, which has ballooned to over $900 million.

The latest justification is based on the recent bombshell revelation that Trump had secretly switched planes during a visit to Turkey due to a supposed threat of a missile attack against Air Force One. Intelligence on the attack provided by Israel, however, was classified as “low confidence” by the CIA, raising questions about the validity of the threat. Many commentators have pointed out other issues with the claim.

“Assume for the sake of argument there was a credible threat,” noted one. “What does that have to do with the ballroom?”

“What the heck does the ballroom really have to do with all this?!” wondered another. “Above ground work is the real issue anyway. Not the new underground bunker.”

“Soooo,” mused another still. “According to that logic how would a DC Ballroom protect the Orange Man-Frog in Turkey?”

Trump’s ballroom renovation just blew up in court

According to breaking news from Bloomberg Law, President Donald Trump's much-demanded White House ballroom has just received a huge blow, as the US Court of Appeals for the DC Circuit declared Friday morning that he doesn't have the authority to build it without congressional approval.

Per Bloomberg, "The appeals court upheld a ruling by Judge Richard Leon of the US District Court for the District of Columbia, who found in March that Trump overstepped when he oversaw the demolition of the White House’s historic East Wing to make room for a 90,000-square-foot ballroom. Leon, a George W. Bush appointee, also rejected the Trump administration’s arguments that a new ballroom is essential for national security."

Ballroom construction was allowed to continue while the government's appeal moved forward, after the appeals court temporarily lifted Leon's ruling. The new ruling, however, leaves the future of the ballroom up in the air.

According to the latest opinion, "This holding has nothing at all to do with whether the proposed ballroom is desirable, or not, as a matter of policy. This ruling does not even necessarily mean that the Defendants may not ultimately construct the ballroom. What it does mean is that the Defendants may not do so during the district court’s expeditious litigation without securing Congress’s authorization, as the Constitution and laws require.”

As Bloomberg explains, "The appeals court paused the effect of its decision for 14 days to give the government the chance to ask the Supreme Court to review it. Judge Neomi Rao, a Trump appointee, dissented. The decision is a blow for Trump, who posts frequently on social media about the importance of the new ballroom and has faced a number of legal challenges to his efforts to reshape Washington’s historic monuments and sites."

Trump's second term has been largely characterized by his vanity projects. As Bloomberg explains, "The Trump administration has also changed the color of the Lincoln Memorial Reflecting Pool basin, floated plans to build a 250-foot arch on Memorial Circle, and attempted to add Trump’s name to The John F. Kennedy Memorial Center for the Performing Arts, among other changes."

Here are the signs Trump is preparing to die: psychologist

Over the course of his second term, President Donald Trump has been fixated on his wide-ranging D.C. construction projects, from his much-demanded ballroom to his 250-foot-tall arch to the Reflecting Pool debacle, and more. While he has claimed it is all part of an effort to clean up the nation’s “dirty and disgusting” capital, according to one leading psychologist, Trump’s motivations are more ethereal: the president is attempting to create his own post-death mythology.

This is according to neuroscientist Frank George, who posted a video on Tuesday explaining Trump’s desire to “redesign history.”

“Trump no longer seems content to be remembered as a successful president,” asserts George. “Increasingly, he portrays himself as something much larger: founder, savior, timeless hero, even the embodiment of the nation itself.”

The president frequently takes to social media to post AI-generated images of himself alongside the nation’s founders and symbols, and even of himself as Jesus. According to George, however, “Those AI images aren’t telling this story alone. The physical environment has been telling it for months. The oversized ballroom. The monumental arches. The endless gold. The portraits. The banners hanging from buildings.”

As George explains, “Architecture is a symbolic communication. Throughout history, rulers have understood that buildings tell stories long after speeches are forgotten.” Washington D.C. is full of such buildings and monuments, like the Lincoln Memorial and Arlington National Cemetery, both of which were established to help craft the nation’s sense of history and identity — and both of which, argue critics, would be loomed over by Trump’s arch. George argues that Trump’s goal is precisely that: to impose his own “history” and “mythology” on the country.

“This isn’t about construction,” warns George. “They’re attempts to make mythology tangible. Trump doesn’t want to occupy history. Increasingly, he’s redesigning history to occupy him.”

George wasn’t the only one with such thoughts on his mind on Tuesday. Jim Geraghty, senior political correspondent for the highly conservative magazine the National Review, posted a quote from Maggie Haberman, whose recent bestseller Regime Change exposed a slew of embarrassing secrets about Trump and the White House.

"If you looked at, like, a chart of [Trump's] mind share,” said Haberman, “like 70 percent of it would be on his renovations."

“You don’t have to buy Haberman’s figure,” Geraghty responded, “but it’s undeniable that President Trump spends a lot of time thinking and talking about the White House ballroom project, the Reflecting Pool renovation, and his ‘independence arch.’ That possessive word is deliberate; in October, when a reporter asked whom the arch was for, Trump responded, ‘Me.’”

Trump's July 4 speech highlights an ironic victim of his DC vanity projects

On Saturday, President Donald Trump will travel to South Dakota to deliver a 4th of July address at Mount Rushmore, and according to USA Today White House correspondent Swapna Venugopal Ramaswamy, his visit highlights an ironic victim of his vanity projects in Washington D.C.: Mount Rushmore itself, which the National Parks Service can’t afford to repair due to Trump’s construction spending spree in the nation’s capital.

As Ramaswamy notes, “The national landmark, which features 60-foot-tall faces of Presidents George Washington, Thomas Jefferson, Abraham Lincoln and Theodore Roosevelt carved into the granite mountain, has $57 million in deferred maintenance needs, according to the National Park Service. As of the end of fiscal 2025, NPS had a backlog of deferred maintenance projects totaling more than $24.2 billion for monuments and parks around the country. Meanwhile, the Trump administration is redirecting tens of millions of dollars from fees paid to the NPS to fund ‘President Trump’s vanity projects’ in Washington, say House and Senate Democrats, citing reports and information revealed to Congress.”

Trump’s wide-ranging DC projects have raised no shortage of controversy, from his much-demanded White House ballroom, to horse statues he had doused in gold, to his embarrassing Reflecting Pool debacle, and more. According to Ramaswamy, “These projects have drawn criticism for a variety of reasons, including not seeking congressional approval and awarding no-bid contracts. An analysis of federal contract data by USA TODAY found that 20 days before Trump first announced the renovation of the reflecting pool, the government had already committed $8.5 million to fix the pool, even though the president said it would cost $2 million.”

This is not only diverting funds from parks around the country, but may breach the law. As Ramaswamy explains, “Under the Federal Lands Recreation Enhancement Act of 2004, at least 80% of the entrance fees paid onsite must be retained and used at the national park where the fees are collected. The remaining 20% can be used to improve parks that don’t charge entrance fees…Democratic lawmakers also assert that the revenue from the sale of digital ‘America the Beautiful Passes’ appears to be funding some of these projects ‘without any guardrails or transparency.’”

According to a letter from Democrats to Interior Secretary Doug Burgum, “Credible sources with direct knowledge of these matters have now reported to Congress that much, if not all, fee revenue from online America the Beautiful Passes is being used to fund the President’s 'beautification' projects in Washington. This means that this revenue is not being directed to national parks across the country.”

When USA Today reached out to the Interior Department for comment, a spokesperson said the agency has “many funding sources” to cover maintenance, and blamed former President Barack Obama.

Trump looted nearly $1 billion from 'struggling' National Parks to pay for vanity projects

In March, President Donald Trump claimed that a series of flippant White House renovations costing $1.3 million were “paid for by me,” but new reporting in the Atlantic has revealed that, in fact, American taxpayers footed the bill in the form of funding looted from the already struggling National Parks Service. What's more, Trump has diverted a total of nearly $1 billion to cover his D.C. vanity projects, forcing the Parks Service to cancel hundreds of badly needed improvements.

As reporter Michael Scherer explains, “The pathway that connects the White House residence to the Oval Office has long been paved in Tennessee flagstone. Every president since Harry Truman made the 45-second commute, and made it without complaint, until Donald Trump. The dun rock would not do. Instead, Trump wanted polished African granite, carved in Italy, with a flamed-finish stripe — slightly raised, to prevent slips — running down the middle. As workers tore up the flagstone last March, a reporter asked Trump who was paying for the enhancements. ‘Paid for by me,’ he replied. But that wasn’t true.”

According to budget documents from the National Park Service obtained by Scherer, “the walkway replacement cost taxpayers $689,232, and is part of a $1.3 million project that included repairing adjacent stone and masonry and providing new hardware for nearby doors. A year earlier, in a separate ‘Rush project at request of POTUS,’ the Park Service spent $347,503 to remove and replace the stucco on the colonnade wall, a project that cleared the way for Trump to affix gold frames and plaques mocking some of his predecessors.”

This, notes Scherer, is a massive shift of taxpayer funds away from National Parks across the country, and as a result, “parks have had to cancel needed repairs, slash their budgets and operate with fewer employees. Taxpayer spending on projects in the National Capital Region has increased 92 percent over the past year… The windfall draws on revolving maintenance accounts and more than $100 million in fees collected almost entirely from National Parks elsewhere.”

Instead of National Parks, the money has gone to Trump’s disastrous Reflecting Pool debacle, the refurbishment of fountains, coating statues with gold and his $1.6 million Fourth of July fireworks display — which he has vowed will be the largest in history — among other efforts in D.C. According to Scherer, Trump’s requests for billions more have been rejected by Congress.

“As Trump attempts to adorn his immediate surroundings with taxpayer-funded improvements, other parks are going without,” explains Scherer. “Park Service employees I spoke with describe a quiet crisis unfolding as the Interior Department’s regular budget shrinks and political appointees redirect the dwindling funds. More than 900 Park Service projects that were expected to be funded this year never received the money, according to internal records. They include a $1.5 million roof-replacement project at the Yellowstone Center for Resources to halt pest invasions and water leaks, more than $3 million to continue operating the free-bus system in Acadia National Park and a roughly $424,000 guardrail replacement on the cliff edge of Black Canyon in Colorado’s Gunnison National Park, a project needed to rectify a ‘significant safety hazard for visitors.’”

“The president is prioritizing D.C. at the expense of parks throughout the country,” said Emily Douce, a lobbyist for the National Parks Conservation Association. “There is $24 billion of maintenance needs throughout the National Park Service system, and adding these new vanity projects just adds to the need.”

The numbers that Scherer lays out are shocking. According to “dozens of pages of budgetary documentation,” there has been “an $854 million, or 68 percent, decrease in spending on projects in park regions outside the Washington area in the first eight and a half months of fiscal year 2026, compared with the full prior fiscal year. That includes a $235 million decrease in spending in Pacific West parks such as Yosemite, a $254 million decrease in the Intermountain Region parks such as Yellowstone, and a $33 million decrease in Alaska. During that same period, spending around Washington increased by about $100 million, not counting about $310 million in donations that the Park Service received from allies of the president, most of which is going to fund a new White House ballroom.”

A Park Service employee who was not authorized to speak with the media told Scherer that some parks and projects have had “nearly 70 percent of their approved anticipated project funds pulled back,” forcing them to delay making crucial repairs to historic structures, hiring interns, and ensuring that trails are wheelchair accessible. “It means that signage and exhibits won’t be improved,youth programs can’t be offered, that a trail is not improved,” said the employee.

Judge reveals Trump’s strategy: 'Break things' so fast no one can stop him

Over the course of both Trump terms, he and his allies have used a “flood the zone” approach where they attempt to overwhelm opponents with controversial actions and statements so quickly that response becomes impossible. Now, the court wrangling over President Donald Trump’s controversial ballroom reveals that he applies a similar strategy to his vanity and construction projects: “move fast and break things and nobody has standing.”

This is according to Lawfare senior editor Molly Roberts, who was directly quoting the judge overseeing the case — a characterization with which Trump’s lawyers openly agreed.

Roberts was on hand for the oral arguments between attorneys representing the White House and those for the National Trust for Historic Preservation, the latter of which had filed for an injunction barring construction while the case was heard. That injunction was granted while allowing only construction “strictly necessary to ensure the safety and security of the White House and its grounds” to continue pending appeal. The White House then tried to argue that the ruling actually allowed for the construction of the ballroom, arguing that the whole thing was vital for security, which the judge did not buy, reaffirming that aboveground construction must halt until approved by Congress. The president’s ‘break things’ approach was revealed in the subsequent appeal.

According to Roberts, these latest appeal proceedings are “simultaneously more like and more unlike your typical litigation than those following the matter might have expected. More like, because the lawyer presenting for the government sounds like a lawyer and not the president on a Truth Social spree… Less like, because what this lawyer is saying is that neither these judges nor any can stop the administration from building what it wants to build once it has started building them. Not now, not ever.”

During oral arguments, after much back and forth, the White House lawyers essentially argued that once the president had already taken certain actions on the basis of security — such as, say, bulldozing the White House East Wing — there was no legal mechanism allowing a lawsuit to be brought against the government. The judge then raised a specific example: what if the White House were gone? Say an administration decides that security justifies an entirely new building, tears down the White House, and then someone decides to sue. Would such a suit be legal?

According to Roberts, White House lawyers argued that it would not be if the destruction of the original White House had already occurred.

“So move fast and break things and nobody has standing?” asked the judge. “Bulldoze the Statue of Liberty, and as long as the government does it fast enough, too bad, nothing to be done?”

“I think that’s right,” said the White House attorney.

What’s more, the judge had an important question about what would happen were construction allowed to proceed while the case was heard. If the government lost a year or so down the line and the ballroom was declared illegal, would the White House tear it down, or would its argument, “for the same safety and security reasons, be we can’t take it down?” The White agreed with the latter.

“So your position is this can’t be stopped by a court?” the judge asked. “That court, this court, the Supreme Court, no court could stop the building of this?”

The White House agreed.

“If this were complete lawlessness by the government,” the judge pressed, “it couldn’t be stopped?”

“Yes,” Roberts explained. According to the Trump administration, “even if the ballroom construction were complete lawlessness by the government, only Congress — not the courts — would have any independent role in stopping it.”

Rubio 'unaware' his own agency sent Trump ballroom chief to Russia

This week, far-right figures from around the world have gathered in Russia for an economic forum nicknamed “Putin’s Davos.” Among the attendees is Rodney Mims Cook Jr., the commissioner tasked with overseeing President Donald Trump’s highly contested White House ballroom project. While Cook has gotten much attention from Russian media as he’s shown off Trump’s ballroom, there seems to be some confusion within the U.S. government as to what he’s doing there, with Secretary of State Marco Rubio saying he is “unaware” of an American delegation to the event while Cook himself claims he was sent by Trump and urged to go by the State Department, which Rubio oversees.

“According to Russian media, Trump's ballroom commissioner, Rodney Mims Cook, told Russian press that Trump and the State Department permitted him to travel to Russia for the economic forum in St Petersburg,” reports Olga Lautman, senior Russian intelligence expert at the Center for European Policy Analysis. “He also said the [State Dept.] thought his travel to Russia was a good idea.”

Said Cook to Russian media, "The President and the State Department allowed me to come over to say hello and see what could come out of this in the long term. … The President's allowing me to come over could open up new avenues. This is purely an observation to see where this might lead.”

Cook’s assertion is interesting in the context of a statement from Rubio, who said he was “unaware” that a U.S. delegation was at the forum. Rubio oversees the State Department and works closely with Trump, raising questions about the daylight between his and Cook’s claims. According to Financial Times Moscow Bureau chief Max Seddon, Cook “is an ardent Russophile. He has been involved in restoring medieval Russian churches for decades. His own house in Georgia is designed in the Russian style. He says he is friends with many senior Russian elite figures. He seems absolutely thrilled to be there.”

Said government affairs expert Alex Goldenberg, Senior Fellow at the Rutgers Miller Center, “The Kremlin courts the people it assesses as useful for widening America’s divisions, the specific issue is incidental. They’ll stoke whatever fracture is available.” Interestingly enough, Goldenberg was speaking about Candace Owens, a far-right influencer and former Trump ally who is also appearing at the event. “Moscow extended the platform and that tells you how they see her, as someone whose reach can be turned into division or political capital. The Soviets had a term for Western sympathizers like Candace Owens. It translates roughly to useful idiot.”

“Maybe that’s why Trump’s ballroom commissioner is in St Petersburg,” suggested Lautman, pointing to recent news that funding for the president’s controversial ballroom had just been scrapped.

Cook and Owens aren’t the only figures from Trump’s orbit to attend. Also there is the Trump-supporting actor Steven Seagal, an ardent fan of Russian President Vladimir Putin, who spoke at the event of a Hollywood that has been taken over by “one mafia that is controlling all of the movies,” as well as the misogynist manosphere influencers Andrew and Christian Tate, who face numerous charges in Romania and the UK.

As these and other attendees gathered in St. Petersburg, the skies above were thick with smoke from a Ukrainian drone attack.

Republican details why 'arsonist' Trump revels in his DC destruction

In recent weeks, photos of the White House marred by construction have sparked widespread debate over President Donald Trump’s expansive efforts to reshape its appearance and use. According to lifetime Republican and co-founder of the Lincoln Project Steve Schmidt, “A healthy nation would recoil in disgust.”

“The White House isn’t Donald Trump’s house,” Schmidt reminds. “It doesn’t belong to him. It never did. It’s the People’s House. It’s the symbolic center of the American Republic… where presidents have stood in moments of triumph and agony to speak to the conscience of a nation. It’s where Abraham Lincoln walked the halls while the Republic bled. It’s where Franklin Roosevelt steadied a frightened people during depression and war. It’s where John F. Kennedy summoned Americans to service, where Ronald Reagan spoke of freedom, where Barack Obama represented the long arc of American history bending, painfully and imperfectly, toward justice.”

Now, it’s the site of Trump’s vanity projects and effort to construct a ballroom bunker, and, as before-and-after photos shared by Schmidt show, what was once a lushly manicured grounds is now a gaping eyesore.

“The desecration of the White House grounds isn’t cosmetic,” asserts Schmidt. “It isn’t harmless. It isn’t some eccentric decorating choice by a vulgar and tasteless man. It’s an act of contempt. It’s an act of arrogance. It’s an act of historical vandalism committed by a man who believes himself greater than the nation he was temporarily entrusted to lead. Trump has substantially wrecked the White House because destruction excites him. He’s an arsonist at heart.”

While Trump has referred to himself as a “builder president,” Schmidt argues that this is not the case. Instead, Trump is a “taker” and a “destroyer” — the type of man who looks at beauty and feels “resentment.”

“They look at history and feel excluded by it,” says Schmidt. “Their instinct isn’t stewardship. It’s domination. Their impulse isn’t reverence. It’s desecration. The arsonist isn’t satisfied until everyone else smells the smoke. That’s Trump. He’s America’s Nero.”

As Schmidt notes, “Nero didn’t merely govern badly. He degraded Rome itself. He transformed power into spectacle. Vanity into governance. Cruelty into entertainment. He reduced public life into an endless pageant celebrating his appetites, his grievances and his compulsions.”

“Trump has done the same,” Schmidt argues. “The White House now bears the fingerprints of a man incapable of understanding restraint, dignity or civic reverence. Every grotesque alteration is an expression of his diseased ego. Every debased image is another reminder that the American presidency has been occupied by a man who confuses ownership with stewardship.”

Polling suggests that Americans overwhelmingly agree with Schmidt’s assessment, with voters who oppose Trump’s ballroom project outnumbering those who support it by a ratio of 2-to-1. Even so, as Schmidt notes, there has been a lack of public outcry over the president’s efforts.

“A healthy nation would recoil in disgust,” says Schmidt. “Instead, there is indifference. Shrugs. Exhaustion. The normalization of desecration. That indifference is dangerous. It’s a signal fire to Trump. It tells him there are no limits. It encourages the next outrage. The next assault. The next act of constitutional vandalism.”

He argues that “the American people must rise in defiance and disgust — not merely against Trump the politician, but against Trumpism itself — this diseased celebration of vulgarity, cruelty, ignorance, corruption and destruction. The answer to the arsonist can’t be passivity. The answer to the taker can’t be surrender. What’s required is moral clarity. Civic courage. Public outrage. Patriotic defiance.”

In the end, he suggests, “The White House matters because symbols matter. A nation without reverence for its civic inheritance is a nation already in decline.”

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