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5 Radical Ideas to Transcend Washington's War Mentality

Construction at Bagram Air Base tells the real, ugly story about the future of the Afghan war.
 
A helicopter lands at Kandahar airport in southern Afghanistan. NATO says four soldiers were killed in Afghanistan -- taking the number of foreign troops killed this year to 105 and more than double those killed in the first two months of 2009.
Photo Credit: AFP/Pool/File - Rick Loomis
 
 
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The other day I visited a website I check regularly for all things military, Noah Shachtman’s Danger Room blog at Wired magazine.  One of its correspondents, Spencer Ackerman, was just then at Bagram Air Base in Afghanistan, the sort of place that -- with its multiple bus routes, more than 30,000 inhabitants, PXes, Internet cafés, fast-food restaurants, barracks, and all the sinews of war -- we like to call military bases, but that are unique in the history of this planet. 

Here’s how Ackerman began his report: "Anyone who thinks the United States is really going to withdraw from Afghanistan in July 2011 needs to come to this giant air base an hour away from Kabul. There’s construction everywhere. It’s exactly what you wouldn’t expect from a transient presence.”  The old Russian base, long a hub for U.S. military (and imprisonment) activities in that country is now, as he describes it, a giant construction site and its main drag, Disney Drive, a massive traffic pile-up.  ("If the Navy could figure out a way to bring a littoral-combat ship to a landlocked country, it would idle on Disney.”)  Its flight line is packed with planes -- "C-17s, Predators, F-16s, F-15s, MC-12 passenger planes” -- and Bagram, he concludes, "is starting to feel like a dynamic exurb before the housing bubble burst.”

I won’t lie.  As I read that post, my heart sank and I found myself imagining Spencer Ackerman writing this passage: "Anyone who thinks the United States is really going to stay in Afghanistan after July 2011 needs to come to this giant air base an hour away from Kabul where buildings are being dismantled, military equipment packed up, and everywhere you look you see evidence of a transient presence.”  To pen that, unfortunately, he would have to be a novelist or a fabulist.

For almost nine years, the U.S. military has been building up Bagram.  Now, the Obama administration’s response to the Afghan disaster on its hands is -- and who, at this late date, could be surprised? -- a further build-up.  In my childhood, I remember ads for... well, I’m not quite sure what... but they showed scenes of multiple error, including, if I remember rightly, five-legged cows floating through clouds.  They were always tagged with a question that went something like: What’s wrong with this picture?

As with so much that involves the American way of war, the U.S. national security state, and the vast military and intelligence bureaucracies that go with them, an outsider might well be tempted to ask just that question.  As much as Washington insiders may periodically decry or bemoan the results of our war policies and security-state procedures, however, they never ask what's wrong.  Not really.

In fact, basic alternatives to our present way of going about things are regularly dismissed out of hand, while ways to use force and massive preparations for the future use of more force are endlessly refined.

As a boy, I loved reading books of what-if history and science fiction, rare moments when what might have happened or what might someday happen outweighed what everyone was convinced must happen.  Only there did it seem possible to imagine the unimaginable and the alternatives that might go with it.  When it comes to novels, counterfactuality is still a winner.  What if the Nazis had won in Europe, as Robert Harris suggested in Fatherland, or a strip of the Alaskan panhandle had become a temporary homeland for Jewish refugees from the Holocaust, as Michael Chabon suggested in The Yiddish Policemen’s Union, or our machines could indeed think like us, as Philip Dick wondered in Do Androids Dream of Electric Sheep? Such novels allow our brain to venture down strange new pathways normally forbidden to us.

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