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Strange But True: How Soap Operas Might Save Us From Overpopulation

Earth reached its human capacity in the 1980s. Our planet is in crisis, and Bill Ryerson is using media to change behaviors that contribute to global overpopulation.
 
Global warming, food and water crises, even international conflict -- you can trace all these societal problems to overpopulation.
 
 
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Global warming, food and water crises, even international conflict -- you can trace all these societal and environmental problems to overpopulation. Experts believe that Earth reached its population capacity in the 1980s, meaning we now consume natural resources at a rate much higher than they can be replenished. And of course, as we take away natural resources, we're adding a slew of unnatural, toxic matter into the mix that brings about a host of other problems.

Currently there are just over 6.8 billion people in the world. By mid-century, we're expected to number 9 billion, roughly the equivalent of one-tenth of all humans who have ever walked the planet. Curbing population growth is a logical goal if the human race wishes to ensure its own sustainability -- and that of the other species with whom we share Earth. (Not to mention Earth itself, too.)

Bill Ryerson has dedicated his life to the stabilization of human population numbers at a level that can be sustained by our ecosystem's resources. He is the founder and president of the Population Media Center, a non-profit that seeks to improve the well-being of people by using -- believe it! -- melodramatic soap operas on radio and television throughout the developing world (and soon, the U.S.) to teach listeners and viewers important lessons relating to family planning, reproductive health, HIV/AIDS and environmental preservation, as well as a thing or two about women's and children's rights.

Ryerson and I met recently in San Francisco to discuss the peril our fragile ecosystem faces as a result of our unsustainable growth -- and how we might save us from ourselves.

Daniela Perdomo: Before we get started on the specifics of your work, I was wondering if you could give me some understanding of just how many people listen to the radio, how many people watch TV, how many people own their own TVs -- in other words, what is the reach of media among developing-world populations you are trying to reach?

Bill Ryerson: Of course it varies from country to country and region to region. The place that has the least media coverage is Africa, particularly with regards to television. An example of that is Ethiopia where 4 percent of the population can afford a TV, but even there well over half have radios and listen to them on a regular basis. So it’s a majority of the world’s population that has access to broadcasting. Outside of Africa, which is still dominated by radio, certainly in Latin America and in Asia, television is the dominant medium and it reaches almost everybody. If you look at Vietnam, for example, an excess of 90 percent of the population is watching TV.  I was in Pakistan last week and that is a TV society with maybe two-thirds of the population watching TV on a regular basis. 

DP: Your organization, Population Media Center, uses the Sabido method to reach your target audience. Could you describe for the layman what the Sabido method is and why you chose this as your driving platform?

BR: When I first heard about the idea of using what Americans call soap operas for trying to achieve global sustainability, I thought it sounded ridiculous because I have never been a big fan of soap operas. The Sabido methodology actually refers to the Latin American version of soap operas, which are telenovelas, which are television novels, and they are quite different from American soap operas because they don’t try to go on for 40 years. They are truly novels with a beginning, middle and an end, and they tend to last two to three years. They are the dominant prime-time format in Latin America and they are very, very popular, as you know.

DP: Yes, they are far better than American soap operas. They are engrossing.

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