The Hatred Behind 'Hadji Girl'

By Sheldon Rampton, Center for Media and Democracy. Posted June 26, 2006.

If you want to understand why the war is going so badly in Iraq, it may help to examine the recent reaction to "Hadji Girl," the videotaped song about killing Iraqis by U.S. Marine Corporal Joshua Belile. The song became controversial when the Council on American-Islamic Relations (CAIR) discovered it on the internet and objected to its lyrics. "Hadji Girl" tells the story of a soldier "out in the sands of Iraq / And we were under attack":

Then suddenly to my surprise
I looked up and I saw her eyes
And I knew it was love at first sight.

And she said...
Dirka Dirka Mohammed Jihad
Sherpa Sherpa Bak Allah

Hadji girl I can't understand what you're saying.

The girl says that she "wanted me to meet her family / But I, well, I couldn't figure out how to say no. / Cause I don't speak Arabic." They visit her home, a "side shanty" down "an old dirt trail," and as soon as they arrive,

Her brother and her father shouted...
Dirka Dirka Mohammed Jihad
Sherpa Sherpa Bak Allah

They pulled out their AKs so I could see

... So I grabbed her little sister and pulled her in front of me.

As the bullets began to fly
The blood sprayed from between her eyes
And then I laughed maniacally

Then I hid behind the TV
And I locked and loaded my M-16
And I blew those little fuckers to eternity.

And I said...
Dirka Dirka Mohammed Jihad

Sherpa Sherpa Bak Allah
They should have known they were fucking with a Marine.

The song is gruesome, to be sure, and CAIR complained that it celebrated the killing of Iraqi civilians. The video shows Belile performing the song before a laughing, applauding audience of fellow soldiers at their base in Iraq. Recognizing that the song could only bring bad publicity, U.S. military officials promptly issued a statement saying that it was "clearly inappropriate and contrary to the high standards expected of all Marines." Belile also apologized, saying the song was intended as "a joke" and that he didn't intend to offend anyone. Pro-war pundits, however, actually rallied to the song's defense. The conservative Little Green Footballs weblog thought news reports about the video controversy were the "mainstream media disgrace of the month." There's nothing wrong with the song, the Footballs said, because it doesn't actually describe a soldier killing civilians: "the people who kill the 'little sister' in this darkly humorous song are -- not the Marines -- but her father and brother, as they attempt to perpetrate an ambush." Some of the comments on LGF even called it "a wonderful song," and attacked the "nutless Pentagon star-chasing bastards" for their "capitulation." Here are some of the other comments about the song, from Little Green Footballs and elsewhere:

• "Damn it, we are in a fucking war! Nobody whined about 'insensitivity' to the fucking Japs and Jerries."
• "I expect more from the Pentagon. The State Dept & the CIA are just a bunch of cucumber sandwich eating fools. The Pentagon USED to be about waging war on our enemies. Now they just want to kiss up to them."
• "I'm Proud of my fellow Marines in that video. That is EXACTLY the espirit de corps needed, the HIGH MORALE needed in the middle of a combat zone where those self-same jihadists are trying to kill those Marines every single day.
• "Insensitive? Marines insensitive? God I hope so. We need them to kick ass and follow orders but we don't need them to be particularly sensitive. A sensitive Marine Corps will be the death of this country."
• "One of the things CAIR didn't like was the phrase 'Durka Durka Mohammed Jihad, Sherpa Sherpa Bak Allah' which makes fun of the Arab language. To hell with CAIR and to hell with the Arab language. ... And the Islamist pigs can keep going to hell."

As these comments illustrate, defense for the song quickly turns into traditional conservative anger at what they see as censorious "political correctness." They have a right, they insist, to be insensitive and hostile to Arabs and Muslims. I would argue, in fact, that this cultural xenophobia is the main theme of the song and that the violence in it is a secondary byproduct.

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