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"The grudging admiration felt for the tomboy and the queasiness felt around a sissy boy point to the same thing: the contempt in which women -- or those who play the female role -- are held."
-- Radicalesbians (1970)
In 1991, Nancy Jean Burkholder was expelled from the Michigan Womyn's Music Festival (MWMF), the world's largest annual women-only event, because festival workers suspected that she was a trans woman -- that is, someone who was assigned a male sex at birth but who identifies and lives as female. That incident sparked protests from a burgeoning transgender movement to challenge what eventually came to be known as the festival's "womyn-born-womyn"-only policy, which effectively bars trans women from attending. The protests evolved into Camp Trans, which continues to take place just down the road from MWMF each year, and which has become a focal point for a much broader push for trans-inclusion within feminist and queer communities. Despite more than 15 years of petitioning, and a growing acceptance of trans identities in both mainstream society and within queer, feminist and other progressive circles, the festival still officially maintains its "womyn-born-womyn"-only policy, and countless other lesbian- and queer-woman-focused groups and events continue to harbor dismissive, if not outright disdainful, attitudes toward trans women.
The history of the MWMF trans woman-exclusion debate has been retold countless times -- often in an overly simplistic, cut-and-dry manner. The controversy is usually depicted in one of two ways: either pitting the supposedly out-of-touch, transphobic lesbian-separatists who run the festival against a more politically progressive transgender minority, or portraying transgender activists as bullies who selfishly seek to undermine one of the few remaining vestiges of women-only space with their supposedly masculine bodies and energies. In addition to being obvious caricatures, these sorts of us-versus-them portrayals obscure one of the most important aspects of the story: the fact that there are actually three "sides" to this debate, each driven by a different take on feminism.
Rather than rehash the history or delve into all of the details about the festival and the controversy, I will attempt to describe these three differing feminist perspectives and discuss how they have played out with regard to the issue of trans woman-exclusion at MWMF, as well as in lesbian/queer women's communities more generally.
For those unfamiliar with the subject, I will start by defining some of the trans-specific language that I will be using. Transsexuals are individuals who identify and live as members of the sex other than the one they were assigned at birth. A trans woman is someone who has socially, physically and/or legally transitioned from male to female, and a trans man is someone who has similarly transitioned from female to male. While the medical establishment (and the mainstream media) typically define "transsexual" in terms of the medical procedures that an individual might undergo (for example, hormones and surgeries), many trans people find such definitions to be objectifying (as they place undue focus on body parts rather than the person as a whole) and classist (as not all trans people can afford to physically transition). For these reasons, trans activists favor definitions based on self-identity, that is, whether one identifies and lives as a woman or man. "Transgender" is an umbrella term for all people who defy other people's expectations and assumptions regarding gender, and can be used to refer to transsexuals as well as people who are gender nonconforming in other ways -- for example, cross-dressers, drag performers, feminine men, masculine women, and genderqueers (who do not identify exclusively as either women or men), to name a few. Transgender people who defy gender norms in the male-to-female/feminine direction are said to be on the trans feminine spectrum; those who transgress gender norms in the female-to-male/masculine direction make up the trans masculine spectrum.
Unilateral Sexism and Lesbian-Feminism
MWMF is one of many women-only institutions that grew out of the lesbian-feminist movement during the 1970s and 1980s. A dominant ideology within that movement was the belief that sexism constitutes a unilateral form of oppression -- that is, men are the oppressors, and women the oppressed, end of story. While more liberal or reform-minded feminists of that time period focused primarily on the most obvious examples of sexism (e.g., wage and workplace discrimination, sexual harassment, reproductive rights, etc.), lesbian- (and other radical) feminists extended their critiques of sexism to include many taken-for-granted aspects of gender and sexuality. They argued, for example, that masculinity is inherently dominating and oppressive and that femininity is necessarily associated with objectification and subjugation, and that both forms of gender expression are merely products of socialization rather than natural aspects of people. According to this perspective, a first step toward overturning sexism is for individuals to distance themselves from ways of being that are associated with male domination and female subjugation and instead revert to more natural (and presumably androgynous) forms of gender and sexual expression.
See more stories tagged with: gender, feminism, sexuality, identity, transgender, transsexual, trans women, trans men
Julia Serano is a writer, trans activist, and author of Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity (Seal Press, 2007). More information about all of her creative endeavors can be found at her Web site, www.juliaserano.com.
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