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Bush's Fierce Global War of Denial
Corporate Accountability and WorkPlace:
Today's Economic Crisis in Historical Perspective
Democracy and Elections:
More Unfinished 2008 Election Business: Verifiable Vote Counts
Steven Rosenfeld
DrugReporter:
A New Approach to Drugs Would Save New York Hundreds of Millions of Dollars
Gabriel Sayegh
Election 2008:
Franken Lawyer: "We Are Going To Win"
Sam Stein
Environment:
Forget the Polar Bears -- The Climate Crisis Is About All of Us
George Monbiot
ForeignPolicy:
Obama Needs to Make a Clean Break on Latin America
Mark Weisbrot
Health and Wellness:
Obama's Health Care Reform Plan Is Based on the Clintons' Failed 1990s Model
Marie Cocco
Hurricane Katrina:
From the Bayou to Baghdad: Mission Not Accomplished
Amy Goodman
Immigration:
Immigrant Rights Signed Away?
Jennifer Lee Koh, Esq.
Media and Technology:
Born Digital: Understanding the First Generation of Digital Natives
Doron Taussig
Movie Mix:
Love Bites: What Sexy Vampires Tell Us About Our Culture
Sarah Seltzer
Reproductive Justice and Gender:
The Hymen Mystique
Carole Roye
Rights and Liberties:
Ban the Cluster Bomb
Brian Cook
Sex and Relationships:
Sex Ed for Seniors
Sue Katz
War on Iraq:
The Dilemma of Foreign Prisoners in Iraq
Ma'ad Fayad
Water:
Corporate Water Abusers Should Not Be Trusted As Stewards of the World's Water
Wenonah Hauter
Send me a postcard, drop me a line,
Stating point of view.
Indicate precisely what you mean to say
Yours sincerely, Wasting Away.
-- the Beatles, "When I'm 64"
I set foot, so to speak, on this planet on July 20, 1944, not perhaps the best day of the century. It was, in fact, the day of the failed German officers' plot to assassinate Adolf Hitler.
My mother was a cartoonist. She was known in those years as "New York's girl caricaturist," or so she's called in a newspaper ad I still have, part of a war-bond drive in which your sizeable bond purchase was to buy her sketch of you. She had, sometime in the months before my birth, traveled by train, alone, the breadth of a mobilized but still peaceable American continent to visit Hollywood on assignment for some magazine to sketch the stars. I still have, on my wall, a photo of her in that year on the "deck" of a "pirate ship" on a Hollywood lot drawing one of those gloriously handsome matinee idols. Since I was then inside her, this is not exactly part of my memory bank. But that photo does tell me that, like him, she, too, was worth a sketch.
Certainly, it was appropriate that she drew the card announcing my birth. There I am in that announcement, barely born and already caricatured, a boy baby in nothing but diapers - except that, on my head, I'm wearing my father's dress military hat, the one I still have in the back of my closet, and, of course, I'm saluting. "A Big Hello -- From Thomas Moore Engelhardt," the card says. And thus was I officially recorded entering a world at war.
By then, my father, a major in the U.S. Army Air Corps and operations officer for the 1st Air Commando Group in Burma, had, I believe, been reassigned to the Pentagon. Normally a voluble man, for the rest of his life he remained remarkably silent on his wartime experiences.
I was, in other words, the late child of a late marriage. My father, who, just after Pearl Harbor, at age 35, volunteered for the military, was the sort of figure that the -- on average -- 26-year-old American soldiers of World War II would have referred to as "pops."
He, like my mother, departed this planet decades ago, and I'm still here. So think of this as... what? No longer, obviously, a big hello from Thomas Moore Engelhardt, nor -- quite yet -- a modest farewell, but perhaps a moderately late report from the one-man commission of me on the world of peace and war I've passed through since that first salute.
On Imagining Myself as Burnt Toast
Precisely what do I mean to say now that I'm just a couple of weeks into my 65th year on this planet?
Let me start this way: If, on the evening of October 22, 1962, you had told me that, in 2008, America's most formidable enemy would be Iran, I would have danced a jig. Well, maybe not a jig, but I'll tell you this: I would have been flabbergasted.
On that October evening, President John F. Kennedy went before the nation -- I heard him on radio -- to tell us all that Soviet missile sites were just then being prepared on the island of Cuba with "a nuclear strike capability against the Western Hemisphere." It was, he said, a "secret, swift and extraordinary buildup of communist missiles -- in an area well known to have a special and historical relationship to the United States and the nations of the Western Hemisphere." When fully operational, those nuclear-tipped weapons would reach "as far north as Hudson Bay, Canada, and as far south as Lima, Peru." I certainly knew what Hudson Bay, far to the north, meant for me.
"It shall be the policy of this nation," Kennedy added ominously, "to regard any nuclear missile launched from Cuba against any nation in the Western Hemisphere as an attack on the United States, requiring a full retaliatory response upon the Soviet Union." And he ended, in part, this way: "My fellow citizens: let no one doubt that this is a difficult and dangerous effort on which we have set out. No one can foresee precisely what course it will take or what costs or casualties will be incurred..."
No one could mistake the looming threat: Global nuclear war. Few of us listeners had seen the highly classified 1960 SIOP (Single Integrated Operational Plan) in which the U.S. military had made its preparations for a massive first strike of 3,200 nuclear weapons against the communist world. It was supposed to take out at least 130 cities, with estimated casualties approaching 300 million, but, even without access to that SIOP, we -- I -- knew well enough what might be coming. After all, I had seen versions of it, perfectly unclassified, in the movies, even if the power to destroy on a planetary scale was transposed to alien worlds, as in that science fiction blockbuster of 1955 "This Island Earth," or imputed to strange alien rays, or rampaging radioactive monsters. Now, here it was in real life, my life, without an obvious director, and the special effects were likely to be me, dead.
See more stories tagged with: bush, war on terror, cold war
Tom Engelhardt, editor of Tomdispatch.com, is co-founder of the American Empire Project and author of The End of Victory Culture.
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