Billboard Bashing

By Leslie Savan, AlterNet. Posted May 26, 2000.

Enormous, vinyl-mesh billboards -- sometimes covering whole sides of buildings and their windows -- are going up in urban areas all over the nation. A lot of people are grumbling about these "wallscapes," but a group of people organized by Carrie McLaren, an anti-ad activist, are trying to do something about them. On May 27, she and about 30 friends of Stay Free!, her zine about commercial culture, were in New York City's Times Square handing out fake tourist maps.

Leslie Savan: So what's on the maps?

Carrie McLaren: Ostensibly, they're maps of Manhattan, except that the only sites on them are the city's most egregious billboards and other outdoor ad creep. Stay Free! is also launching an online bulletin board that I hope will help people organize around billboard blight.

Savan: But why target billboards? Don't they make cities more fun? And despite the new technology that can hang them over almost anything, aren't billboards an almost old-fashioned form of advertising -- and rather innocuous when compared to wham-bam TV commercials or the Nike swoosh on a CBS sportscaster's jacket?

McLaren: Not when they're this big. They surround you. You can't turn them off or change the channel. It's the old captive-audience problem. These new billboards are sort of doing to adults what Channel One does to children. Plus, I think they're beginning to create a very weird atmosphere in parts of the city. Here's this 900-foot-wide head, and you're just this tiny little person. They can make you feel powerless.

Savan: So size does matter?

McLaren: Now, yes, because we're not used to seeing gigantic billboards. But people see new kinds of advertising the first time, and then they don't see it anymore. The same thing happened in the '30s with skywriting. New forms of advertising always have diminishing returns. Once you make something huge, everyone else will make it huge. You can feasibly get to the point where you literally block out the entire sky and no ad will be any better off. Even if you love advertising, to be a functional human being, you have to learn how to tune it out.

Savan: Do you think there's anything about vinyl billboards that makes people more likely to tune them out than, say, equally large billboards painted directly on to brick?

McLaren: Because vinyl ads can be changed in a matter of hours, I think they reinforce the idea that everything is temporary, plastic, and disposable. They make the street look like a website. Entire buildings are suddenly deleted. And that can make you more inured to your whole environment.

Savan: But the feeling I get from these ads is that they're urging me to celebrate: We're big! We're bustin' out! We're the manifestation of the blown-up stock market and the dot.coms! Join the bandwagon, or we'll crush you!

McLaren: Well, yes, some of the billboards seem to set up an us-versus-them thing. The people on the vinyl, it's like they're in a cult you don't belong to. They get to have sex and drink all the time.

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