Men Explain Things to Me

I still don't know why Sallie and I bothered to go to that party in the forest slope above Aspen. The people were all older than us and dull in a distinguished way, old enough that we, at forty-ish, passed as the occasion's young ladies. The house was great -- if you like Ralph Lauren-style chalets -- a rugged luxury cabin at 9,000 feet complete with elk antlers, lots of kilims, and a wood-burning stove. We were preparing to leave, when our host said, "No, stay a little longer so I can talk to you." He was an imposing man who'd made a lot of money.

He kept us waiting while the other guests drifted out into the summer night, and then sat us down at his authentically grainy wood table and said to me, "So? I hear you've written a couple of books."

I replied, "Several, actually."

He said, in the way you encourage your friend's seven-year-old to describe flute practice, "And what are they about?"

They were actually about quite a few different things, the six or seven out by then, but I began to speak only of the most recent on that summer day in 2003, River of Shadows: Eadweard Muybridge and the Technological Wild West, my book on the annihilation of time and space and the industrialization of everyday life.

He cut me off soon after I mentioned Muybridge. "And have you heard about the very important Muybridge book that came out this year?"

So caught up was I in my assigned role as ingnue that I was perfectly willing to entertain the possibility that another book on the same subject had come out simultaneously and I'd somehow missed it. He was already telling me about the very important book -- with that smug look I know so well in a man holding forth, eyes fixed on the fuzzy far horizon of his own authority.

Here, let me just say that my life is well-sprinkled with lovely men, with a long succession of editors who have, since I was young, listened and encouraged and published me, with my infinitely generous younger brother, with splendid friends of whom it could be said -- like the Clerk in The Canterbury Tales I still remember from Mr. Pelen's class on Chaucer -- "gladly would he learn and gladly teach." Still, there are these other men, too. So, Mr. Very Important was going on smugly about this book I should have known when Sallie interrupted him to say, "That's her book." Or tried to interrupt him anyway.

But he just continued on his way. She had to say, "That's her book" three or four times before he finally took it in. And then, as if in a nineteenth-century novel, he went ashen. That I was indeed the author of the very important book it turned out he hadn't read, just read about in the New York Times Book Review a few months earlier, so confused the neat categories into which his world was sorted that he was stunned speechless -- for a moment, before he began holding forth again. Being women, we were politely out of earshot before we started laughing, and we've never really stopped.

I like incidents of that sort, when forces that are usually so sneaky and hard to point out slither out of the grass and are as obvious as, say, an anaconda that's eaten a cow or an elephant turd on the carpet.

When River of Shadows came out, some pedant wrote a snarky letter to the New York Times explaining that, though Muybridge had made improvements in camera technology, he had not made any breakthroughs in photographic chemistry. The guy had no idea what he was talking about. Both Philip Prodger, in his wonderful book on Muybridge, and I had actually researched the subject and made it clear that Muybridge had done something obscure but powerful to the wet-plate technology of the time to speed it up amazingly, but letters to the editor don't get fact-checked. And perhaps because the book was about the virile subjects of cinema and technology, the Men Who Knew came out of the woodwork.