Short Changing 9/11: Popular Documentary Takes Us Nowhere

There is a virus sweeping the world. It infects opponents of the Bush government, sucks their brains out through their eyes and turns them into gibbering idiots. The disease is called Loose Change. It is a film made by three young men which airs most of the standard conspiracy theories about the attacks of September 11 2001. Unlike the other 9/11 conspiracy films, Loose Change is sharp and swift, with a thumping soundtrack, slick graphics and a calm and authoritative voiceover. Its makers claim that it has now been watched by 100 million people.

The Pentagon, the film maintains, was not hit by a commercial airliner. There was "no discernable trace" of a plane found in the wreckage, and the entrance and exit holes in the building were far too small. It was hit by a Cruise missile. The twin towers were brought down by means of "a carefully planned controlled demolition." You can see the small puffs of smoke caused by explosives just below the cascading sections. All other hypotheses are implausible: the fire was not hot enough to melt steel and the towers fell too quickly. Building 7 was destroyed by the same means a few hours later.

Flight 93 did not crash, but was redirected to Cleveland Airport, where the passengers were taken into a NASA building and never seen again. Their voices had been cloned by the Los Alamos laboratories and used to make fake calls to their relatives. The footage of Osama Bin Laden, claiming responsibility for the attacks, was faked. The US government carried out this great crime for four reasons: to help Larry Silverstein, who leased the towers, to collect his insurance money; to assist insider traders betting on falling airline stocks; to steal the gold in the basement; and to grant George Bush new executive powers, so that he could carry out his plans for world domination.

Even if you have seen or read no other accounts of 9/11, and your brain has not yet been liquidized, a few problems must occur to you. The first is the complete absence of scientific advice. At one point the presenter asks "So what brought down the Twin Towers? Let's ask the experts." But they don't ask the experts. The film makers take some old quotes, edit them to remove any contradictions, then denounce all subsequent retractions as further evidence of conspiracy.

The only people they interview are a janitor, a group of firemen and a flight instructor. They let the janitor speak at length, but cut the firemen off in mid-sentence. The flight instructor speaks in short clips, which give the impression that his pupil, the hijacker Hani Hanjour, was incapable of hitting the Pentagon. Elsewhere he has said the opposite: he had "no doubt" that Hanjour could have done it. Where are the structural engineers, the materials scientists, the specialists in ballistics, explosives or fire? The film makers now say that the third edition of the film will be fact-checked by an expert, but he turns out to be "a theology professor." They don't name him, but I would bet that it's David Ray Griffin, who also happens to be the high priest of the 9/11 conspiracists.

The next evident flaw is that the plot they propose must have involved tens of thousands of people. It could not have been executed without the help of demolition experts, the security firms guarding the World Trade Centre, Mayor Giuliani (who hastily disposed of the remains), much of the US Air Force, the Federal Aviation Administration and the North American Aerospace Defense Command, the relatives of the people "killed" in the plane crashes, the rest of the Pentagon's staff, the Los Alamos laboratories, the FBI, the CIA and the investigators who picked through the rubble. If there is one universal American characteristic it is a confessional culture which permits no one with a good story to keep his mouth shut. People appear on the Jerry Springer Show to admit to carnal relations with their tractors. Yet none of the participants in this monumental crime has sought to blow the whistle -- before, during or after the attacks. No one has volunteered to tell the greatest story ever told.