Therapy for Revolutionaries
Belief:
Atheism and Diversity: Is It Wrong For Atheists To Convert Believers?
Greta Christina
Corporate Accountability and WorkPlace:
Are You Brave Enough to Say No to a High-Stress Holiday?
Bill McKibben
DrugReporter:
The Feds Are Addicted to Pot -- Even If You Aren't
Paul Armentano
Environment:
Our Lives Are Filled With Worthless Crap That's Destroying the Earth: Here's What You Can Do
Sharon Bloyd-Peshkin
Food:
Don't Be Scared of Food: Are We Being Needlessly Hysterical About Food Safety?
David E. Gumpert
Health and Wellness:
10 Signs Vegetarianism Is Catching On
Kathy Freston
Immigration:
Republican Playbook on Immigration Debate Long on Emotions, Short on Facts
Mary Giovagnoli
Media and Technology:
What Do Levi Johnston, Evangelicals and Oprah Have in Common? They All Blind Us to Our Catastrophic Reality
Chris Hedges
Movie Mix:
Disney Apocalypse: Why 2012 Sucks
Alexander Zaitchik
Politics:
Shocking: High School Grads Twice As Likely To Be Jobless Than College Grads – and Right-Wingers are Profiting From Their Pain
Adele M. Stan
Reproductive Justice and Gender:
Have Women's Lives Improved Globally?
Laura Liswood
Rights and Liberties:
Amy Goodman Detained at Canadian Border; Guards Demand Notes For Speaking Event
Amy Goodman, Juan Gonzalez
Sex and Relationships:
"You Like That Baby, You Like That?": Has Porn Made Men Bad at Sex?
Cord Jefferson
Take Action:
G-20 Meetings: Nothing Much Happened in the Suites, and There Was Too Much Punch in the Streets
Laura Flanders
Water:
Revealed: Astroturf Groups Planning Massive California Water Grab to Benefit Big Ag and SoCal
Dan Bacher
World:
Politicians' Symbolic Opposition to Afghan Escalation is Pointless As Long As Congress Keeps Writing Checks
Norman Solomon
In 2003, Nick Cooper, a 38-year-old independent journalist and activist based in Houston, came across an intriguing T-shirt in Brazil. It featured the anarchy symbol and an image of a capoeirista -- a player of capoeira Angola, an Afro-Brazilian art form developed by slaves that combines music, dancing and fighting. The T-shirt vendors explained it is for a practice called Soma, a kind of therapy that embraces anarchist politics as a way to achieve mental and physical health.
For Cooper, who'd played capoeira in the United States and who'd long had an interest in the anarchist movement, Soma piqued his interest immediately. And when he found out that the founder of Soma, 79-year-old Roberto Freire, is still alive and perfecting his technique, Cooper decided to buy a camera and return to Brazil to make a documentary on Soma.
The resulting 50-minute film, "Soma: An Anarchist Therapy," is finished, and Cooper spent the summer touring across the United States, screening it wherever he found an interest, from Unitarian churches to makeshift theaters in activists' backyards. He's enjoyed strawberry almond juice in Eugene and vegan chili hotdogs in Athens, and crashed on the couches of "crusty punks" half his age -- and all the while making biodiesel refill stops.
Cooper describes himself as an "anti-fascist fighting against nationalism, hierarchy, brutality and unsustainable living," and the ideas behind Soma therapy obviously resonate with him.
Beginning in the mid-1960s during Brazil's military regime, dissidents were disappeared and tortured. Psychologist Roberto Freire -- blind in one eye after being tortured by the military -- found that in a climate of mistrust, violence and paranoia, his fellow comrades were unlikely to seek out therapeutic help. Freire responded by abandoning psychoanalysis and inventing Soma, a therapy for revolutionaries that he calls "fast, efficient and liberating."
Soma is a group therapy where people come together for about 18 months to do physical exercises and engage in personal and political discussion. It combines ideas from Austrian Jewish psychologist Wilhelm Reich, capoeira Angola, and anarchism. And unlike traditional psychotherapy, Soma rejects the authority of the therapist: during a session, a therapist is present, but he or she participates equally with the other members of the group and does not draw conclusions or make analysis. There is an emphasis on pleasure and physical release. The documentary shows Soma groups deep in physical play, doing theater and movement exercises. Participants call the work difficult but "delicious."
Now decades later, Soma has spread across the world and is still liberating modern-day revolutionaries -- young people, artists and students -- who are fighting against the bourgeois and seeking liberation.
Cooper says that even learning about Soma can be helpful for "gringo activists," who Cooper believer are more familiar and comfortable critiquing the authoritarianism in the government or the larger society than within themselves. As he wrote in an email:
As I was first reading about Soma, I remembered meetings where American activists were screaming in each other's faces. So my initial target audience was here -- I was hoping to have some small impact on the tone of activism in the states. Later, nonactivists and people in other countries started expressing interest, so I broadened my conception and did subtitles for five different languages.A great part of Soma's power comes from the collective nature of the experience, Cooper says. Rather than a miserable process of dredging up the horrors in your life, through group interaction, touch and play, Soma becomes a therapy that is a pleasure, something to enjoy that will keep you in the present.
Jennifer Liss is a writer living in San Francisco.
Liked this story? Get top stories in your inbox each week from AlterNet! Sign up now »
You've chosen to turn comments off for the entire site. Would you like to turn them back on?
Support AlterNet
Do you value the information you're getting from AlterNet? Please show your support with a tax-deductible donation.
Feedback
Tell us how we're doing.