Turning Outrage Into Power

Saying hip-hop is global now isn't telling you something you don't already know, unless you have been living under a rock since Planet Rock first dropped. But using the art form for political gains is something new, and spearheading this movement is the National Hip Hop Political Convention (NHHPC).

The 2006 NHHPC in Chicago -- the second biennial convention -- opened on July 20 and over the course of three days engaged over 1,000 participants in the debates over issues like misogyny in hip-hop, media justice, the aftermath of Katrina, grassroots activism, organizational leadership and electoral politics. The convention closed with a concert on Saturday featuring Dead Prez, Chicago Poets and Boots Riley among many other artists.

NHHPC was founded in late 2002 when some elders pulled organizers from all over the country for the first national convention in New Jersey that aimed at creating a political agenda for the hip-hop community. I first got involved at this time, as we worked at finding the issues of our community. Born and raised in California's Bay Area, I had been speaking publicly since a young age, but became really active when I finished filming MTV's Real World series. After the show I traveled as a motivational speaker to colleges and got involved with youth organizations committed to the fight against Big Tobacco. Through a good friend I got invited to the Bay Area's Local Organizing Committee (Bay-LOC) meeting, and began to get involved in hip-hop politics.

Like other local organizers around the country, we went around our community with issue sheets for people to fill out, which we used to create a state agenda. During the state convention individuals from over 30 states and Puerto Rico came together and created a national agenda. By February 2005, a group of different LOC members had a retreat in Atlanta and formed a national body with a steering committee whose goals were to help bring local groups together and facilitate any national work that needed to be done.

After Bay-LOC returned to California, we began to organize a local Hip Hop Summit at Laney College in Oakland in September 2005. One day of workshops and a concert, which included performances from Dead Prez and E40, attracted thousands. We had support and speeches from Rep. Barbara Lee and Bay-LOC's own Dereca Blackman, and handed out voter guides, which we rewrote in new language that identified with the hip-hop generation.

Around the same time, the Chicago-LOC began working as a host committee for the next convention. It was up to them to handle the event program, and the event's success can only be attributed to their hard work.

The convention itself started with a dialogue between organizers of past movements like Civil Rights and Black Power, including Fred Hampton Jr. (Prisoners Of Conscience Committee), Cliff Kelley (WVON Radio Host), Angela Woodson (Federation of Democratic Women), and writer and activist Amina Norman-Hawkins. Organizers both young and old felt this was needed, since many believed the torch was never passed on to the new generation.

Hip-hop politics today -- as I see it -- identifies strongly with the Black Power movement; the lyrics in conscious rap resonate with ideals of Malcolm X and self-determination. The Bay Area especially identifies with the Black Panthers since its roots are found here. But all over the globe -- and even in early days of hip-hop, when most music came from New York -- lyrics focus on the social ills and mistreatment of people of color in this country. The same "fuck the system" attitude gave birth to gangsta rap. And although the majority of it now focuses on the material and the misogynistic, early pioneers of the art form told the world what was going on or was absent in their neighborhoods. In other countries like Brazil, Venezuela, Cuba -- today more than ever -- hip-hop serves this same purpose.