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'Nothing Prepared Me for Bush'
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(Editor's Note: Be sure to read an excerpt from "Playing President," posted today on AlterNet.)
With over 65 percent of Americans disapproving of our current president, why can't we get some credible opposition in Washington? As we head towards midterm elections, and look ahead to those of 2008, it's a question that is weighing heavily on millions of American minds.
Robert Scheer spent over 30 years interviewing American presidents and candidates since Nixon, but it was only in retrospect that he discovered a disturbing pattern. Scheer's new book Playing President: My Close Encounters with Nixon, Carter, Bush I, Reagan and Clinton -- and How They Did Not Prepare Me for George W. Bush explores the crippling effects the campaign process had on every candidate he interviewed -- and how our presidents have become increasingly out of touch with American voters.
As one of the last print journalists to spend extended periods of time with candidates, Scheer's close examination of our political process, and how the media covers it, points to the flaws that led to the election of George W. Bush. AlterNet spoke with Scheer about what we got right, what we got wrong, and why in the face of such an unpopular president, we still find ourselves "drowning in lesser evildom."
Onnesha Roychoudhuri: How did the idea for this book come about?
Robert Scheer: I teach at USC, and it's obvious to anyone who teaches college students that they don't cover much modern history and certainly not the modern presidency. I start every term in my Media and Society class by showing Oliver Stone's "Nixon," and then I bring in John Dean.
They've never heard of John Dean, they barely know what Watergate was about, and by the end of three hours, they seem quite excited and recognize its importance. This book is in a way an attempt to collect some of the interviews and profiles with a new analysis at the beginning of each -- a primer on the American presidency from Nixon to the present.
The big idea that came out of rereading all the stuff that I had done over the years was the process of running for president -- that's where the "Playing President" title comes in. The process itself is so debilitating, so controlling, that it really doesn't matter who these guys are or what they start out with.
Even with the best of intentions, even when they're very smart and knowledgeable -- as opposed to George W., who is neither -- it doesn't seem to matter. All they are proving is their ability to manipulate, to think superficially, and to exploit national security issues rather than deal with them.
OR: Can you explain the title of the book?
RS: "Playing President" is an attempt to capture what it's really all about. Trying out for the role becomes the dominant experience, and by the time you get into office, you've been shaped by it and keep playing out the part. What you've learned to do in the process is to be superficial, to suspend more profound thoughts, to silence your own doubts and your own serious thinking.
OR: Why does that happen?
RS: It's built into our political process, particularly in a mass society with a mass media with a large owning bloc of almost 300 million citizens. What I was able to observe in these campaigns is it really didn't matter that Nixon had a lot of experience and a lot of ideas.
The reason he got to be president is that he was good at presenting himself in certain ways, manipulating information and covering up inadequacies. That's pretty much true of all of them, and that was something that hadn't jumped out at me before I put it all together in this book.
OR: Looking back on these different presidencies, do you think that this concept of "playing president," this artifice, has intensified?
RS: There's no question about that. I was able to do something that people can't do these days, which is to have quality time with the guys who were trying to be president and a number of them who got the job.
For example, I spent a lot of time with Reagan, both before he ran for governor and when he was running for president. As a print reporter without the cameras, I was able to really test the quality of their minds and their knowledge base. I don't think you can do that anymore.
These guys get booked into television. I guess in a sense this is the last broad view from a pre-electronic journalist. Whether I was writing for Playboy or for the L.A. Times, it was still basically one journalist with a tape recorder. There was no crew traveling with me. Also, the candidates were willing -- either for nostalgic reasons because [they] still thought print was important, or because their campaign managers thought it was important -- to give me a lot of time.
Onnesha Roychoudhuri is an assistant editor at AlterNet.
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