Support AlterNet
Do you value the information you're getting from AlterNet? Please show your support with a tax-deductible donation.
Feedback
Tell us how we're doing.
The Academy Awards Gets Real
Corporate Accountability and WorkPlace:
The Department of Labor in the Bush Years: A Damage Assessment
Rep. George Miller
Democracy and Elections:
Seven Ways Your Vote Might Not Count This November
Steven Rosenfeld
DrugReporter:
New Drug Survey Demolishes Drug Czar's Claims
Bruce Mirken
Election 2008:
Palin Pick Is GOP Hypocrisy at its Best
Laura Flanders
Environment:
Boatloads of Trouble: How We Are Importing Our Way to Destruction
Stan Cox
ForeignPolicy:
The Bush Administration Checkmated in Georgia
Michael T. Klare
Health and Wellness:
Earning Less and Dying Younger: How the Growing Strain on America's Middle Class Is Pummeling Our Health
Maggie Mahar
Hurricane Katrina:
From the Bayou to Baghdad: Mission Not Accomplished
Amy Goodman
Immigration:
Leader of Anti-Immigration Movement Calls Issue a "Skirmish in a Wider War"
Eric Ward
Media and Technology:
How the Media's Tarring of Hillary Hurt Obama Too
Eric Boehlert
Movie Mix:
Hollywood Gets Muslims Wrong, Again
Wajahat Ali
Reproductive Justice and Gender:
An Open Letter to Gov. Sarah Palin on Women's Rights
Lynn Paltrow
Rights and Liberties:
Amy Goodman: Why We Were Falsely Arrested
Amy Goodman
Sex and Relationships:
Why Do We Need to Talk About the Female Orgasm?
Susan Crain Bakos
War on Iraq:
The VA Continues to Abandon Returning Vets
Joshua Kors
Water:
Is California on the Brink of Environmental Collapse?
Rachel Olivieri
Watch the online trailer for the upcoming 78th Annual Academy Awards, and you'll see a montage of teary actors mugging through their acceptance speeches, with a terrible pop soundtrack gurgling beneath. But, as any good film buff knows, the trailer is nothing like the real thing.
Sure, the ceremony (airing on ABC this Sunday, March 5) will offer the usual parade of Hollywood beauties in couture gowns. But it's also the most politically progressive lineup of nominated films in years. That's right: no elves, musicals, historical epics or romantic comedies in sight. This year, you'll find a cornucopia of Big Issues, from gay cowboys ("Brokeback Mountain") to transgendered women ("Transamerica,") sexual harassment ("North Country") and institutionalized racism ("Crash") to censorship ("Good Night, and Good Luck").
With just one Best Picture nominee ("Munich," Steven Spielberg's factually inspired rumination on 1972's Munich massacre) from a major studio, this year's Oscars could almost be mistaken for the grungier, Bravo-aired Independent Spirit Awards. And unlike past shows, when sweet sleepers like "Shakespeare in Love" and "Chocolat" ruled, 2005's film crop can't exactly be described as feel-good.
Instead we've got a timely, issues-based Best Picture roster, of which "Capote" -- whose gay protagonist is plainly critical of capital punishment -- is the least political nominee. Of the remaining four films, "Crash" takes on racism (albeit in an almost unbearably heavy-handed fashion), and "Good Night, and Good Luck" is progressive poster boy George Clooney's black-and-white account of McCarthy-era TV news censorship. Although he deserves it, I don't think Clooney will win for that film, but he will probably be rewarded for his supporting role in the political thriller "Syriana."
Critics' clear Best Pic favorite is "Brokeback Mountain" (which, in this politically charged Oscar season, is fitting, as Ang Lee's first film after the big-budget debacle of "The Hulk"). The Gay Cowboy Movie, as it's frequently been dubbed, boasts some of the most beautiful scenery (with Canada standing in for the Wyoming wilderness) and horrifying (tragic ending) aspects of life in homophobic 1950s America. As a hit in both blue states and red states, it's become an unlikely commercial success, something the Academy always loves to reward.
The Best Actor race is between two polarized depictions of gay men: Philip Seymour Hoffman's fey Truman Capote and Heath Ledger's stoic "Brokeback" cowboy. A fitting Best Actress winner would be Felicity Huffman, a Desperate Housewife turned transgendered road tripper in "Transamerica." But it's still the Oscars -- where, as a woman, if you don't gain weight or wear a prosthetic nose, the second-best route to the gold statuette is to portray a put-upon wife.
Marisa Meltzer is a freelance writer in New York City. She is currently co-writing a book about Sassy Magazine for Farrar, Straus and Giroux.
Liked this story? Get top stories in your inbox each week from AlterNet! Sign up now »