Facing Forward

With gay marriage and gay rights at the forefront of the political scene, a film that confronts these issues with subtlety and grace couldn't come at a better time. Luckily, Saving Face, by first-time filmmaker Alice Wu, opened in New York and Los Angeles this Memorial Day weekend. The first theatrically released film to feature an Asian-American lesbian couple, the film is an enormous triumph -- both for the Asian community and for Hollywood, which tends not to cast many Asian actors in principal roles.

The film's director and screenwriter, Wu judiciously avoided Hollywood's propensity to exaggerate homosexuality, which often renders gay characters phony and inaccessible to audiences. Instead, Wu presents a nuanced tale of two Asian-American women's contemporary experiences. She masterfully alternates between Wil (Michelle Krusiec), a single woman in her late 20s, and her 48-year-old mother, Ma (Joan Chen), both of whom are caught between their deep senses of cultural reverence and the consequences of breaking away from Old World values.

For example, as exhausting as Wil's life is as a surgeon, she feels compelled to make the trek from New York City to Flushing, Queens on Friday nights to attend the weekly dances hosted by the Chinese community, where she's forced to dance with single Chinese men prearranged by her interfering mother.

Ironically, it is at one such dance that she meets and immediately falls for a sexy ballet dancer named Vivian (Lynn Chen). Wil is fraught with a desire to be with Vivian, but even more, to hide her sexuality from Ma and her conservative relatives at all cost. It's not so easy for Wil to turn her back on what could be true love, however, and Vivian certainly makes her presence felt. Vivian represents a different kind of Chinese American woman; she is open-minded, independent, and yet she still respects her parents' wishes, even though she communicates openly with them about her lifestyle.

Meanwhile, Ma, who initially maintains a more traditional relationship with Wil, has scandalously become pregnant out of wedlock, and is ashamed by her pregnancy. To make matters worse, her father banishes her from his house, leaving Ma to move in with her daughter. Of course, Ma's pregnancy also diminishes her authority over Wil, and as the two live together, they basically become sisters, staying up late to watch Chinese soap operas and share takeout on the couch where they both sleep. Wu tugs at the chords between Ma and Wil, facilitating Ma's acceptance of her daughter's homosexuality while allowing Ma to come to terms with her own independence from her rigid heritage (she continues to speak in Chinese, even though she clearly understands English).

After the New York premiere of the film, Lynn Chen sat down with me to talk about her role as the lesbian love interest in Saving Face.

Can you describe how you felt as part of the first Asian American lesbian couple to be featured on the big screen?

When we first were doing this film, nobody knew that little factoid, so when we did find out--from a reporter at Sundance--we were all pleasantly surprised...it was very exciting that we were a part of a film that we did not even realize was so groundbreaking.

What was it like to work with Alice Wu, who was both a first-time director and first-time screenwriter?

In looking back actually, this past year, having seen a lot of films by first-time directors and having been on film sets, I could see how difficult it is to be a director and to be doing it for the first time, not ever having gone to film school. I think she did a tremendous job of being a leader -- she's a natural leader. And not only that; she's very grateful and humble, which is pleasant to be around. I just really trust her taste in general. So whatever she asked me to do, I did with a lot of confidence in her. At the same time, she was open to suggestions and always asked for my input, which, as an actor, is something that you always want from a director, to have that freedom.