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Breaking the Barrier

In an excerpt from his new book, Victor Navasky poses the question that bedevils all small magazines and others who challenge the national complacency: How, given the media glut, do you break through and communicate the terrible truth?
 
 
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Editor's Note: In A Matter of Opinion, published this month by Farrar, Straus and Giroux, Victor Navasky reflects on a lifetime in magazine journalism. In this excerpt, he recalls meeting Jacobo Timerman, an Argentine writer who had been tortured -- and wanted to re-enact the experience on television.

The spring of 1981, when I had been at The Nation for three years, saw the publication of Jacobo Timerman's powerful memoir A Prisoner Without a Name, Cell Without a Number. The Argentine journalist Timerman had been "disappeared," imprisoned, and tortured during the 1970s by the military junta in Buenos Aires, and his memoir vividly evoked that experience. Although some members of the organized Jewish community took exception to his argument that the mass "disappearances" were tinged with anti-Semitism, he and his book (with a huge assist from his human-rights activist publisher, Random House's Robert Bernstein) were widely celebrated.

I thought he should expand on the underlying meaning of his story for The Nation, and I was looking forward to meeting him one evening at a small dinner party in his honor. Then I opened my New York Times and there on the op-ed page was an article by a CBS television producer headlined "Torture? On TV?" In it the producer of CBS Reports, Eric F. Salzman, claimed that when he met with Timerman to ask what he wanted to discuss on his program, Timerman told him to forget about the questions: he wanted to be tortured.

Mr. Timerman looks at me, I say nothing. Is he testing to see if I will do anything for a program that will generate controversy and pull a large rating? I stare and listen for clues to see if the man is mad.

"It is not very difficult," he continues. "I will not die, don't worry. Do you know how it is done? The subject is tied down and his body wet with water. Electrodes are applied. The apparatus allows more or less energy to pass." He moves his thumb and forefinger as if twisting a dial -- "So, the body twitches and jumps. The subject howls or his flesh is burned or he may die. But it is controllable, you see. A doctor would make sure I don't die. There can be a problem of shock to the heart." He rubs his chest, making a small circle. "But it can be massaged. There can be a problem of exploding something but I have survived. I would survive. In half an hour it is over. Can you arrange this?"

Salzman wrote that he was struck silent as Timerman went on to say that there were excellent torture doctors in abundance -- in Argentina, El Salvador, Iran, Cuba, Brazil, the Soviet Union.

"If you volunteer to be tortured," Salzman told him, "you will trivialize the evil of torture. People will call it a publicity stunt."

The TV interview went on as scheduled, and there was no torture.

So that night I met Timerman at the home of a liberal labor lawyer. We were introduced, and I asked him, What's the story on the op-ed story?

In his heavily accented English, he told me, "They want me in twenty minutes to explain what I've already written in hundreds of pages. How do you explain to the American people what is torture in twenty minutes? So I said you want to explain what it is to be tortured? Torture me on television."

At dinner the toasts were plentiful and much wine was consumed while Timerman explained to us that the Argentine government said it couldn't account for the thousands of people who were disappeared, and the State Department had lists of thousands of names but declined to release them.

After dinner and after after-dinner drinks, as he was leaving, Timerman put his arm around my shoulder and said, "So tell me, Veektor, what is so terrible if I am tortured on television?"

Salzman hadn't been able to figure out whether or not Timerman was serious, and at some level neither could I. But his point was profoundly serious. How, given the media glut, do you break through and communicate the terrible truth?

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