Vader's Villainy

By Dorothy Woodend, AlterNet. Posted May 20, 2005.

This is the end, my friends. Finally, the last installment of the Star Wars saga arrives in a swirl of darkness this weekend. A momentous occasion for some, a relief for others. More than a series of films, the sextet has become a vast cultural edifice, and at the center, having supplanted the mewling puker Luke, stands big bad daddy Darth Vader. The fact that Vader has come to occupy the enterprise's central role is a curious development, since it requires that audiences have compassion for what is, arguably, a monster.

So how did we get here, Darth and us? We watched him grow from a towheaded munchkin in The Phantom Menace to a surly teenager in Attack of the Clones to full-grown towering evil in Revenge of the Sith. This final film, wherein we witness his embrace of the dark side, is played as tragedy.

But the moment that Anakin Skywalker becomes a monster has also been captured by Lego (the toymaker). Just the other day I bought my son Louis some Star Wars Lego, and after enduring the three hours it took to assemble, I looked at it closely. Here was Anakin, cut and bleeding, with a wobbly look -- like he was about to cry, but still demonstrably human. And there was Darth Vader -- underneath his helmet, he wore the same expression (as if he was about to burst into tears), but he'd turned an ashen gray.

Critics may rant and rave about why we ought to be entirely sick of the Star Wars ways, but Darth is, in fact everywhere -- hawking M&M's, Slurpees, and enough toys to sink a battleship. Every time a child pipes "I want that!" the cash register rings and cold cash pours into George Lucas' coffers. Star Wars merchandise is worth somewhere in the ballpark of $9 billion, and Lucas, having forgone his directing salary in exchange for a share of the merchandise, is sitting comfortably.

Lucas is sticking with Vader's proven success to lure in kiddies, despite the fact that this is the film in which evil triumphs. Even while Lucas is quoted saying that it isn't a film for young children, the entire world is deluged in Darth. But amid all the hype, one tiny bit of information seems to be lacking: Darth Vader is evil. He kills entire worlds, slaughters children, tortures his daughter, tries to kill his son. He's bad. It doesn't matter how he became bad, or that eventually he felt sorry -- he's a villain.

Watching the Downfall

But villainy isn't quite what it used to be, when in cases where the biggest villain of the 20th century gets some sympathy. In the recent film Downfall, which depicts the final days of Adolf Hitler, he is a man at the very end of his life, failing in body and mind, but unable to grasp that the end of the Third Reich is at hand. Of course, these two films are entirely different; one is inspired by the real events of history and the other has Jar Jar Binks in it. But there are strange echoes between the two, not the least of which is the figure at the center of each: Darth and Adolf, both tortured men who become something else over the course of history and mythmaking.

Dorothy Woodend is film critic for the Tyee, a daily Canadian alternative newspaper.

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