S'Mores and Drumsticks

When Ingrid Dahl first began fiddling around with the electric guitar at age 13, everybody kept telling her how "pretty" she looked playing the instrument.

But no one wanted to take her rock 'n' roll aspirations seriously. Not even her usually supportive parents. "I was told to 'stop making all that noise,'" recalls Dahl, "but it was OK for my brother to rock out behind his bedroom door."

Today, 24-year-old Dahl sings and plays electric guitar, bass, piano and drums in her rock-and-roll group, The 303's. But she hasn't forgotten the obstacles she faced getting there. So she recently performed at a music benefit at the Knitting Factory in New York City to raise scholarship funds for the Willie Mae Rock 'n' Roll Camp for Girls. Named after the seminal blues-rock musician "Big Mama" Thornton, this summer camp, which starts up this year in Brooklyn, N.Y., will provide young girls and teens from ages 8 to 18 the chance to rock out just like the boys.

The camp is the newest addition to a string of rock 'n' roll camps for girls that have sprung up in Washington, D.C., Nashville, Tenn., Portland, Ore., California and Tucson, Ariz. All the camps are similarly structured with one-week sessions with approximately 75 to 100 girls that culminate in a live performance.

Una Rose is a 10-year-old from Portland, Ore., who first attended the rock camp in 2002 and has returned every summer. "One of the things I like best about camp," says Rose, who has subsequently formed a rock group, The Ready, with three other girls aged 12 to 13, "is girls forming bands and getting the chance to express themselves and having fun. It's a good feeling."

Portland: The Birth of the Cool

All the camps are offshoots of the Portland-based Rock 'n' Roll Camp for Girls set up about four years ago to give girls at this critical age the opportunity to experiment with popular music as an enjoyable way to boost their self esteem.

While boys don't have their own rock camps, experts say that they have plenty of cultural cues supporting their desire to play the music and also don't experience the drop in self-esteem that girls do.

At camp, girls learn to play electronic instruments as loud and crazily or as soft and silkily as they like. They sing and write songs and are encouraged to strut their stuff onstage, all without the distraction of boys. They also participate in workshops and panel discussions geared to developing their self-expression, tolerance and self-reliance.

For instance, when the volunteer teachers – almost all professional female musicians – aren't teaching musical chords and drumming techniques, they are performing skits about how to resolve group conflicts and create music as a team. These teachers might lead discussions on gender stereotyping and body image by watching MTV and critiquing the commercial portrayals of women in music videos. Girls also go home with a few self-defense moves under their belt and marketing skills at their fingertips, like how to create band buttons and publish a music 'zine.

"We apply a feminist ideology and approach it as a holistic experience," says Portland founder Misty McElroy, 35, a former roadie who says during the nine years she set up band equipment for rock 'n' roll groups, she was never taken seriously. "I was always talked to like I didn't know what I was doing. It was always assumed that because I was a woman, I didn't know what I was doing. And as I aged, I realized it wasn't an age thing. It was a misogynistic environment."

McElroy quit the music world about five years ago to attend Portland State University for a degree in women's studies. To fulfill a course requirement, McElroy took a year to plan the camp and convened the first one on campus during the summer of 2001. "No one thought it would work," she recalls. "I thought I'd be lucky to get 20 girls." She ended up receiving 300 applicants of which she could only accept a 100. Two years ago, she added a second summer session and an after-school session.