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The Columbine Art Phenomenon
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What do you know? In the past three months, two movies and two books came out which either use school shootings as a plot device or aim to explain the phenomenon. And they couldn't be more different from each other. We've got a zany farce, an art film, a mockumentary and (what could easily be) a Lifetime movie.
Let's start with the zany farce: DBC Pierre's parodic novel "Vernon God Little." The guy who wrote it is British and I guess he was so baffled by modern America that he decided to write a whole book clowning us. It's pretty funny. The title character is a 16-year-old kid who survives a school shooting, then gets scapegoated for the murders and has to fight a death penalty case in Texas. Now what could be more American than that?
I think the book does a better job explaining the energy behind school shootings than all those CNN child psychologists and Michael Moore combined. The book succeeds because it doesn't fall into the "I'm an expert" trap of trying to blame the violence on one thing. Instead, Pierre singles out the real culprit: the overwhelming insanity of millennium American life -- the richest time in the most prosperous country in the history of the world where everybody's fat (in the book, all the women are on the "Pritkin" diet), TV news media is off the hook with the scandal/murder/celebrity shit, kids are obsessed with basketball sneakers that could feed a dozen limbless Eritrean orphans for a month and every pre-teen boy has been "diagnosed" with some kind of condition. (Quick: What's another word for ADD? How about "being a freaking boy?" Tom Sawyer wasn't on Ritalin.) Pierre weaves all these factors and more into a seamless, insanely funny narrative which should be required reading in every high school right now. Oh, I forgot -- schools can't afford books any more.
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"Elephant" is the art film, directed by Gus Van Sant ("My Own Private Idaho," "Good Will Hunting"). The whole movie (or most of it) takes place in a single day at a big suburban high school. Early in the movie, we look forward and see that this is the day that the school gets shot up. So we spend an hour and a half watching fresh faced kids float down hallways, giggling and crying and you can't help but wonder who's gonna die.
"Elephant" succeeds for the same reason that "Vernon God Little" succeeds: it doesn't try and tell you why it happened. It just happened. (Some slip-ups, though. There is a loooong scene of one of the future shooters playing a first-person shooter game and some clichéd bully scenes. And then, inexplicably, the two shooters -- both boys -- take a shower together and make out. There are a lot of ways to interpret that scene, but it's a pretty heavy statement to make with no explanation.) Other than that, though, the main thing I came away with was, "this is what high school is really like, so why didn't everybody go crazy and start shooting people?" "Elephant" makes high school look like high school, which is all at once boring, terrifying, fun and sick.
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