Bill Moyers and Chris Hedges: How Whole Regions of America Have Been Destroyed in the Name of Quarterly Profits
You can watch the video of Moyers' interview with Hedges at the bottom of this transcript.
BILL MOYERS: Here we are, barely halfway through the summer, and Barack Obama and Mitt Romney have stepped up their cage match, each attacking the other, throwing insults and accusations back and forth like folding chairs hurled across the wrestling ring.
Governor Romney pummels away at the economy; President Obama pummels away at Mr. Romney—when he was or wasn’t at his company Bain Capital, his tax returns and his offshore accounts. All the while, as they bob and weave their way through this quadrennial competition, punching wildly, the real story of what’s happening to ordinary people as capitalism runs amok is largely ignored by each of them. But not in this book “Days of Destruction, Days of Revolt”—an unusual account of poverty and desolation across contemporary America. It’s a collaboration between graphic artist and journalist Joe Sacco, and my guest on this week’s broadcast, Chris Hedges.
CHRIS HEDGES: All of the true correctives to American democracy came through movements that never achieved formal political power.
BILL MOYERS: This is just the latest battle cry from Hedges, who, angry at what he sees in the world, expresses his outrage in thoughtful prose that never fails to inform and provoke. As a correspondent and bureau chief for “The New York Times,” he covered wars in North Africa, the Balkans and the Middle East—leaving the paper after a reprimand for publicly denouncing the 2003 invasion of Iraq.
In such books as “War Is a Force that Gives Us Meaning,” his weekly column for the website “Truthdig” and freelance articles for a variety of other publications, Chris Hedges has taken his life’s experience covering the brutality of combat and shaped a worldview in which morality and faith, and the importance of truth-telling, dissent and social activism take precedence, even if it means going to jail. ...
Tell me about Joe Sacco. He was your companion on this trip. And he was your, in effect, coauthor. Although he was sketching instead of writing.
CHRIS HEDGES: I've known Joe since the war in Bosnia. We met when he was working on his book, “Gorazde.” And I was not a reader of graphic novels. But I watched him work. And I certainly know a brilliant journalist when I see one. And he is one of the most brilliant journalists I've ever met.
He reports it out with such depth and integrity and power, and then he draws it out. And I realized that an extremely important component of this book was making visible these invisible communities, because we don't see them. They're shut out. They're frightening, they're depressing. And they're virtually off the radar screen in terms of the commercial media.
BILL MOYERS: This is a tough book. It's not dispatches from Disneyworld. It paints a very stark portrait of poverty, despair, destructive behavior. What makes you think people want to read that sort of thing these days?
CHRIS HEDGES: That wasn't a question that Joe Sacco and I ever asked. It's absolutely imperative that we begin to understand what unfettered, unregulated capitalism does, the violence of that system, which is portrayed in all of the places that we visited.
These are sacrifice zones, areas that have been destroyed for quarterly profit. And we're talking about environmentally destroyed, communities destroyed, human beings destroyed, families destroyed. And because there are no impediments left, these sacrifice zones are just going to spread outward.
BILL MOYERS: What do you mean, there are no impediments left?