'Waiting for Superman' Schools Documentary Is a Slick Marketing Piece Full of Half-Truths and Distortions
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Davis Guggenheim's 2010 film Waiting for Superman is a slick marketing piece full of half-truths and distortions. The film suggests the problems in education are the fault of teachers and teacher unions alone, and it asserts that the solution to those problems is a greater focus on top-down instruction driven by test scores. It rejects the inconvenient truth that our schools are being starved of funds and other necessary resources, and instead opts for an era of privatization and market-driven school change. Its focus effectively suppresses a more complex and nuanced discussion of what it might actually take to leave no child behind, such as a living wage, a full-employment economy, the de-militarization of our schools, and an education based on the democratic ideal that the fullest development of each is the condition for the full development of all. The film is positioned to become a leading voice in framing the debate on school reform, much like Guggenheim's An Inconvenient Truth did for the discussion of global warming, and that's heartbreaking.
I'm not categorically opposed to charter schools; they can and often do allow a group of creative and innovative teachers, parents, and communities to build schools that work for their kids and are free of the deadening bureaucracy of most districts. These schools can be catalysts for even larger changes. But there are really two main opposing positions in the "charter movement" -- it's not really a movement, by the way, but rather a diverse range of different projects. On one side are those who hope to use the charter option to operate effective small schools that are autonomous from districts. On the other side are the corporate powerhouses and the ideological opponents of all things public who see this as a chance to break the teacher's unions and to privatize education. Superman is a shill for the latter. Caring, thoughtful teachers are working hard in both types of schools. But their efforts are being framed and defined, even undermined, by powerful forces that have seized the mantle of "reform."
The film dismisses with a side comment the inconvenient truth that our schools are criminally underfunded. Money's not the answer, it glibly declares. Nor does it suggest that students would have better outcomes if their communities had jobs, health care, decent housing, and a living wage. Particularly dishonest is the fact that Guggenheim never mentions the tens of millions of dollars of private money that has poured into the Harlem Children's Zone, the model and superman we are relentlessly instructed to aspire to. Those funds create full family services and a state of the art school. In a sleight of hand, the film magically shifts focus, turning to "bad teaching" as the problem in the poor schools while ignoring these millions of dollars that make people clamor to get into the Promise Academy. As a friend of mine said, "Well, at least now we know what it costs."
It is so sad to see hundreds of families lined up at these essentially private schools with a public charter cover, praying to get in. Who wouldn't want to get in? Families are paraded in front of the cameras as they wait for an admission lottery in an auditorium where the winners' names are pulled from a hat and read aloud, while the losing families trudge out in tears with cameras looming in their faces.
After dismissing funding as a factor, Superman rolls out the drum-beat of attacks on teachers as the first and really the only problem. Except for a few patronizing pats on the head for educators, the film describes school failure as boiling down to bad teachers. Relying on old clichés that single out the handful of loser teachers anyone could dig up, Waiting for Superman asserts that the unions are the boogey man. In his perfect world, there would be no unions -- we could drive teacher wages even lower, run schools like little corporations, and race to the bottom just as we have in the manufacturing sector. Imagining that the profit motive works best, the privatizers propose merit pay for teachers whose students test well. Such a scheme would only lead to adult cheating (which has already started), to well-connected teachers packing their classes with privileged kids, and to an undermining of the very essence of effective schools -- collaboration between teachers, generous community building with students.
It is interesting to note that Arne Duncan, as well as the Obama kids, attended the University of Chicago Lab Schools - where teachers had small classes, good pay, and, yes, a union. Students did not concentrate on rote learning and mindless drill and skill or test prep. They were offered in part an exploratory, questioning curriculum. But apparently the masses need to have sweatshop schools. Waiting for Superman sets up AFT president Randi Weingarten as its Darth Vader -- accompanying her appearance on the screen with dire background music. They tell us that the teachers unions have put $50 million into election campaigns over the last ten years, essentially buying politicians. Actually, this number is a pittance compared to what corporations and the rich throw in. It is less than Meg Whitman spent of her own money in one run for governor of California. But the film carefully avoids interviewing Diane Ravitch, the lead organizer of the Education Trust and No Child Left Behind efforts who has been lately writing and speaking about her realization that these reforms have had a disastrous effect on schools and teaching and learning.