The Obama Brand: Feel Good While Overlords Loot the Treasury and Launch Imperial Wars
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Celebrities, who often come from humble backgrounds, are held up as proof that anyone, even we, can be adored by the world. These celebrities, like saints, are living proof that the impossible is always possible. Our fantasies of belonging, of fame, of success, and of fulfillment are projected onto celebrities. These fantasies are stoked by the legions of those who amplify the culture of illusion, who persuade us that the shadows are real. The juxtaposition of the impossible illusions inspired by celebrity culture and our "insignificant" individual achievements, however, eventually leads to frustration, anger, insecurity, and invalidation. This juxtaposition results, ironically, in a self-perpetuating cycle that drives the frustrated, alienated individual with even greater desperation and hunger away from reality, back toward the empty promises of those who seduce us, who tell us what we want to hear. We beg for more. We ingest these lies until our money runs out. And when we fall into despair we medicate ourselves, as if the happiness we have failed to find in the hollow game were our deficiency. And, of course, we are told it is.
Human beings become a commodity in a celebrity culture. They are objects, like consumer products. They have no intrinsic value. They must look fabulous and live on fabulous sets. Those who fail to meet the ideal are belittled and mocked. Friends and allies are to be used and betrayed during the climb to fame, power, and wealth. And when they are no longer useful they are to be discarded. In Fahrenheit 451, Ray Bradbury's novel about a future dystopia, people spend most of the day watching giant television screens that show endless scenes of police chases and criminal apprehensions. Life, Bradbury understood, once it was packaged and filmed, became the most compelling form of entertainment.
The moral nihilism of celebrity culture is played out on reality television shows, most of which encourage a dark voyeurism into other people's humiliation, pain, weakness, and betrayal. Education, building community, honesty, transparency, and sharing are qualities that will see you, in a gross perversion of democracy and morality, voted off a reality show. Fellow competitors for prize money and a chance for fleeting fame elect to "disappear" the unwanted. In the final credits of the reality show America's Next Top Model, a picture of the woman expelled during the episode vanishes from the group portrait on the screen. Those cast aside become, at least to the television audience, non-persons. Life, these shows teach, is a brutal world of unadulterated competition. Life is about the personal humiliation of those who oppose us. Those who win are the best. Those who lose deserve to be erased. Compassion, competence, intelligence, and solidarity with others are forms of weakness. And those who do not achieve celebrity status, who do not win the prize money or make millions in Wall Street firms, deserve to lose. Those who are denigrated and ridiculed on reality television, often as they sob in front of the camera, are branded as failures. They are responsible for their rejection. They are deficient.
In an episode from the second season of the CBS reality game show Survivor, cast members talk about exceptional friendships they have made within their "tribe," or team. Maralyn, also known as Mad Dog, is a fifty-two-year-old retired police officer with a silver crew cut and a tall, masculine build. She is sunning herself in a shallow stream, singing "On the Street Where You Live." Tina, a personal nurse and mother, walks up the stream toward her.
"Sing it, girl! I just followed your voice."