Why the Press Is on Suicide Watch
Belief:
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Corporate Accountability and WorkPlace:
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DrugReporter:
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Environment:
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Food:
10 Tips for a Sustainable Thanksgiving
Sarah Newman
Health and Wellness:
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Joshua Holland
Immigration:
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Media and Technology:
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Mark Ames
Movie Mix:
The Yes Men: Pranksters Out to Fix the World
Mark Engler
Politics:
Just When You Thought It Was Safe: 3 Potential Obstacles to Health-Care Reform
Adele M. Stan
Reproductive Justice and Gender:
Why Can't We Look Away From Sarah Palin?
Vanessa Richmond
Rights and Liberties:
Feeling Nervous? 3,000 Behavior Detection Officers Will Be Watching You at the Airport This Thanksgiving
Liliana Segura
Sex and Relationships:
Hot Mormon Muffins and Models for Jesus: What's With All the Sexy Christians?
Liz Langley
Take Action:
G-20 Meetings: Nothing Much Happened in the Suites, and There Was Too Much Punch in the Streets
Laura Flanders
Water:
Poseidon's Financial Shell Game: Why Is a Private Desalination Plant Asking for Public Money?
Peter Gleick
World:
Did American Commandos Slaughter Afghan Civilians in Bala Murghab? Residents Say Yes.
Mustafa Saber
IF you wanted to pick the moment when the American news business went on suicide watch, it was almost exactly three years ago. That’s when Stephen Colbert, appearing at the annual White House Correspondents’ Association dinner, delivered a monologue accusing his hosts of being stenographers who had, in essence, let the Bush White House get away with murder (or at least the war in Iraq). To prove the point, the partying journalists in the Washington Hilton ballroom could be seen (courtesy of C-Span) fawning over government potentates -- in some cases the very “sources” who had fed all those fictional sightings of Saddam Hussein’s W.M.D.
Colbert’s routine did not kill. The Washington Post reported that it “fell flat.” The Times initially did not even mention it. But to the Beltway’s bafflement, Colbert’s riff went viral overnight, ultimately to have a marathon run as the most popular video on iTunes. The cultural disconnect between the journalism establishment and the public it aspires to serve could not have been more vividly dramatized.
The bad news about the news business has accelerated ever since. Newspaper circulations and revenues are in free fall. Legendary brands from The Los Angeles Times to The Philadelphia Inquirer are teetering. The New York Times Company threatened to close The Boston Globe if its employees didn’t make substantial sacrifices in salaries and benefits. Other papers have died. The reporting ranks on network and local news alike are shriveling. You know it’s bad when the Senate is moved, as it was last week, to weigh in with hearings on “The Future of Journalism.”
Not all is bleak on the Titanic, however. The White House correspondents’ bacchanal was on tap for this weekend. And this time no one could accuse the revelers of failing to get down with the Colbert-iTunes-Facebook young folk: hip big-time journalists now stroke their fans with 140-character messages on Twitter. Or did. No sooner did boldface Washington media personalities ostentatiously embrace Twitter than Nielsen reported that more than 60 percent of Twitter users abandon it after a single month.
The causes of journalism’s downfall — some self-inflicted, some beyond anyone’s control (a worldwide economic meltdown) — are well known. To time-travel back to the dawn of the technological strand of the disaster, search YouTube for “1981 primitive Internet report on KRON.” What you’ll find is a 28-year-old local television news piece from San Francisco about a “far-fetched,” pre-Web experiment by the city’s two papers, The Chronicle and The Examiner, to distribute their wares to readers with home computers via primitive phone modems. Though there were at most 3,000 people in the Bay Area with PCs then, some 500 mailed in coupons for the service to The Chronicle alone. But, as the anchorwoman assures us at the end, with a two-hour download time (at $5 an hour), “the new telepaper won’t be much competition for the 20-cent street edition.”
See more stories tagged with: frank rich, newspapers, media industry
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