Novel Concepts

Our culture has become so bovinely accepting of the idea that leisure time is for shopping that it influences literature in a couple of ways. One, along with television it has pretty much decimated the idea that reading is a viable way to spend your free time; and two, it encourages the notion that new things are best. Thus, there are whole swaths of the country where people are generally unaware of the fact that a certain number of pretty good books were written before Jonathan "High Literary Artist" Franzen came along.

The sad evidence abounds: Open the newspaper and what do you see? Bestseller lists (an enabler of the herd mentality if ever there was one). You walk into Barnes and Noble and what do you see? The bestsellers themselves, great tottering stacks of them threatening to kill you. You will wade deep into that shiny, brittle landscape, past vast deposits of Senior Franzen's bloated extravaganza before you find something that isn't new -- before you find, say, "The Catcher in the Rye" by J.D. Salinger.

Er, on second thought, you probably won't find that one. In most B & N's "Catcher" isn't on the shelves -- it's kept behind the counter and you have to ask for it, for reasons that have been variously explained to me: either it's among the most-likely-to-be-shoplifted books, or it's too obscene or subversive or something for today's delicate (don't let those tattoos fool you) young people. In fact, "Catcher" isn't the only book kept behind the counter at B&N (go ahead, ask them). All kinds of other major subversives and experimentalists are back there, too, from Vladimir Nabokov to Jack Kerouac to William Burroughs to the heinous Paul Auster.

And, in a greater sense, and for equally depressing reasons having ultimately to do, I think, with clearing shelf space for the higher-profit-margin new -- what, the explicit sex and vulgar language of "The Corrections" is better for kids than hearing Holden Caufield talk about "goddamn phonies"? -- there are numerous other books kept behind the metaphoric counters of modern America. This is true especially if they are edgy -- I mean, really edgy -- and/or experimental, and especially if they are more than a year or so old. And it's especially especially true if they are written by a dern foreigner.

Nonetheless, let's just say for argument's sake that you're a perverse so-and-so and you would like to read such. Where to go?

Hop on the Internet and visit the website of the Dalkey Archive Press -- http://www.centerforbookculture.org/dalkey/index.html -- the site of perhaps the most quietly subversive publisher in the country.

Dalkey has made it its mission to "keep in print as many of the great experimental books of the last 100 years as possible," including many books that were out of print in America when Dalkey first published them, as editor Chad Post explained it to me when I tracked him down at company headquarters in Normal, Illinois. And of the 240 books Dalkey has published so far, only two have been allowed to lapse out of print -- both books of interviews with Latin American authors that had simply gone out of date, Post says.

I first came upon Dalkey when I was looking for books by the great French surrealist Raymond Queneau. Then I discovered that Dalkey also published Celine. Its British list was particularly impressive -- lots of Henry Green, Aldous Huxley and Nicholas Mosley. And of course, on their Irish list was Flann O'Brien, author of the book that gives the press its name, "The Dalkey Archive."

But Dalkey doesn't just publish old books by non-American writers -- it's also the home for numerous American authors, including many still in their prime, thank you very much. They've picked up out-of-print titles from William Gass, John Barth and Stephen Millhauser. And they're the exclusive publisher of one of my favorite short story writers, Harry Matthews (including his newest, "The Human Country," due out this fall).