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Someone Take Away Thomas Friedman's Computer Before He Types Another Sentence

By Matt Taibbi, New York Press. Posted January 22, 2009.


Reading Thomas Friedman is like listening to the man talking to himself. His latest book, Hot, Flat and Crowded, is no different.

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My initial answer to that is that Friedman's language choices over the years have been highly revealing: When a man who thinks you need to break a vase to get the water out of it starts arguing that you need to invade a country in order to change the minds of its people, you might want to start paying attention to how his approach to the vase problem worked out. Thomas Friedman is not a president, a pope, a general on the field of battle or any other kind of man of action. He doesn't actually do anything apart from talk about shit in a newspaper. So in my mind it's highly relevant if his manner of speaking is fucked.

But whatever, let's concede the point, forget about the crazy metaphors for a moment and look at the actual content of Hot, Flat and Crowded. Many people have rightly seen this new greenish, pseudo-progressive tract as an ideological departure from Friedman's previous works, which were all virtually identical exercises in bald greed worship and capitalist tent-pitching. Approach- and rhetoric-wise, however, it's the same old Friedman -- a tireless social scientist whose research methods mainly include lunching, reading road signs and watching people board airplanes.

Like The World is Flat, a book borne of Friedman's stirring experience of seeing an IBM sign in the distance while golfing in Bangalore, Hot, Flat and Crowded is a book whose great insights come when Friedman golfs (on global warming allowing him more winter golf days: "I will still take advantage of it -- but I no longer think of it as something I got for free."), looks at Burger King signs (upon seeing a "nightmarish neon blur" of KFC, BK and McDonald's signs in Texas, he realizes: "We're on a fool's errand."), and reads bumper stickers (the "Osama Loves your SUV" sticker he read turns into the thesis of his "Fill 'er up with Dictators" chapter). This is Friedman's life: He flies around the world, eats pricey lunches with other rich people and draws conclusions about the future of humanity by looking out his hotel window and counting the Applebee's signs.

Friedman frequently uses a rhetorical technique that goes something like this: "I was in Dubai with the general counsel of BP last year, watching 500 Balinese textile workers get on a train, when suddenly I said to myself, ‘We need better headlights for our tri-plane.' " And off he goes. You the reader end up spending so much time wondering what Dubai, BP and all those Balinese workers have to do with the rest of the story that you don't notice that tri-planes don't have headlights. And by the time you get all that sorted out, your well-lit tri-plane is flying from chapter to chapter delivering a million geo-green pizzas to a million Noahs on a million Arks. And you give up. There's so much shit flying around the book's atmosphere that you don't notice the only action is Friedman talking to himself.

In The World is Flat, the key action scene of the book comes when Friedman experiences his pseudo-epiphany about the Flat world while talking with himself in front of InfoSys CEO Nandan Nilekani. In Hot, Flat and Crowded, the money shot comes when Friedman starts doodling on a napkin over lunch with Moisés Naím, editor of Foreign Policy magazine. The pre-lunching Friedman starts drawing, and the wisdom just comes pouring out:

I laid out my napkin and drew a graph showing how there seemed to be a rough correlation between the price of oil, between 1975 and 2005, and the pace of freedom in oil-producing states during those same years.

Friedman then draws his napkin-graph, and much to the pundit's surprise, it turns out that there is almost an exact correlation between high oil prices and "unfreedom"! The graph contains two lines, one showing a rising-and-then-descending slope of "freedom," and one showing a descending-and-then-rising course of oil prices.

Friedman plots exactly four points on the graph over the course of those 30 years. In 1989, as oil prices are falling, Friedman writes, "Berlin Wall Torn Down." In 1993, again as oil prices are low, he writes, "Nigeria Privatizes First Oil Field." 1997, oil prices still low, "Iran Calls for Dialogue of Civilizations." Then, finally, 2005, a year of high oil prices: "Iran Calls for Israel's destruction."

Take a look for yourself: I looked at this and thought: "Gosh, what a neat trick!" Then I sat down and drew up my own graph, called "Size of Valerie Bertinelli's Ass, 1985-2008 Versus Happiness." It turns out that there is an almost exact correlation! Note the four points on the graph:

graph1.jpg

1990: Release of Miller's Crossing

1996-97: Crabs

2001: Ate bad tuna fish sandwich at Times Square Blimpie; felt sick.

2008: Barack Obama elected

That was so much fun, I drew another one! This one is called "American Pork Belly Prices Versus What Midgets Think About Australia 1972-2002." 

graph2.jpg

Or how about this one, called "Number of One-Eyed Retarded Flies in the State of North Carolina Versus Likelihood of Nuclear Combat on Indian Subcontinent."


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See more stories tagged with: environment, consumerism, thomas friedman, the world is flat

Matt Taibbi’s last critique of Thomas Friedman,“Flathead,” appeared in the April 26, 2005, edition of New York Press.

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