Bye Bye Herman Cain: True to Form, His Race Minstrel Show Ended the Only Way That It Could
Goodbye Herman Cain. You will be missed.
Unable to weather repeated charges of sexual harassment and infidelity, the Herman Cain train has finally gone off the tracks. Yet, even by the unique and unconventional standards of the 2012 Republican presidential primary field, Herman Cain was a spectacle and one with a unique advantage.
I signaled to Herman Cain's potential in February 2011 in a controversial essay on here on Alternet, where after his break-out speech at the Conservative Political Action Conference, I described it as a race minstrel-like performance. There, with everything but blackface cork, Cain channeled his dead black grand pappy with a semi-literate Southern drawl, told white folks that racism is a fiction (and that they are in fact the real victims of bigotry in the Age of Obama), and validated a belief that black people like Herman Cain those who don't complain, make trouble, or participate in the Civil Rights Movement are the way forward.
In total, Herman Cain was a fantasy projection and type of racism shield, an Anti-Obama, who could soothe the anxieties of racially resentful white conservatives. While Cain's shtick did not rise to the level of comedian David Chappelle's character Clayton Bigsby, black white supremacist; it was, in many ways, a genius performance. He was Sarah Palin mated with the Boondocks.
At the time, I was widely criticized for daring to suggest that Herman Cain was channeling such an offensive stereotype. My analysis proved prescient. In time, other observers either borrowed the meme, or were clearly inspired by it.
Unfortunately, many of those who ran with my suggestion that Herman Cain was performing as a race minstrel for the pleasures of his white conservative public, did not understand the depth of the claim. I was not trying to engage in name calling, or to get a snicker from the public, by calling attention to Herman Cain's racially infused Tomfoolery. Rather, my deeper point was that Herman Cain's race minstrel performance was a carefully crafted means towards an end.