Metropolitan Romance: The Art of Craigslist's Missed Connections
The rush and anonymity of city life draws us apart, even as it draws us together. Jammed in the bus and streaming through the street, millions of strangers cross paths without hearing each other's stories.
Those who do exchange a word or a glance often lose each other to the closing of a train door or a shy failure to exchange phone numbers in line at the pharmacy, and many end up posting plaintive regrets in the "Missed Connections" section of Craigslist's online classifieds site. Sophie Blackall, an artist based in Brooklyn, brings to life strangers' sometimes poignant, sometimes funny searches for each other by illustrating a new post from the New York City listings every week.
To see more illustrations, visit the Tikkun Daily Art Gallery.
Blackall, who calls herself "a terrible eavesdropper," is perhaps best known as the illustrator of the Ivy and Bean series and of other children's books.
"I'm just delighted to hear little bits of people's conversations and imagine the rest of the stories," she says. Her joy in others' quirks and yearnings is apparent in her loving illustration of what she describes as the "funny, sad, beautiful, hopeful, hopeless, poetic posts on Missed Connections" -- the modern equivalents of "messages in bottles, smoke signals, letters written in the sand."
Wednesday, September 23, 2009 - w4m - 23 (Hoboken, NJT station) I just wanted to say thank you for offering to help carry my little orangey/pink suitcase. It really meant a lot because I was having a really terrible day. -Half asian girl in the green shirt
Not all of the Missed Connections posts on Craigslist are as poignant as the ones Blackall chooses to illustrate. "There are hundreds of them that are just phony or all about sex or sort of vengeful about something that went wrong," she says. Other artists, such as the cartoonists who created I Saw You: Comics Inspired by Real-Life Missed Connections, have tended to pick edgier and sillier posts to illustrate.
But there are also hundreds of posts that convey an earnest and moving desire for connection, and it is this quality that Blackall finds comforting and inspiring. She says:
So many people read these Missed Connections, on a daily basis even. People are as intrigued by them as I am. I think they read them for all sorts of different reasons. Some people vaguely hope they might see themselves -- that somebody saw them. But I think there's a more universal pleasure in realizing that people see each other in this really sort of intimate way ... We all think we're just streaming along in this train underground, and all being regurgitated out the other end, and streaming along in another crowd somewhere else. To think that while you're sitting there someone is noticing really tiny, minute details about someone across from them -- that they had a Band-Aid on their ankle or that they had bitten fingernails, or that one of their shoelaces had come undone -- there's something very tender in that. I think that's what it is: it's that tiny glimpse of tenderness in the great morass.
I love how Blackall's drawings breathe particularity and emotion into the impersonal, urban spaces that are so often sites of alienated encounter. Her illustrations express the powerful yearning for recognition and interaction that so many of us experience in our post-industrial cities and transient neighborhood communities.