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What do end times believers see in Syria?

I once made the grievous error of spending ten minutes of my life watching the opening scenes of Transformers: Dark of the Moon. I was intrigued that it was listed in my Netflix queue as a “conspiracy” film. And though I abandoned it quickly, I was struck then by a shift in the conspiracy idiom since the 1970s, one that I have been thinking about of late.

We can see in older films like Three Days of the Condor a suspicion and a paranoia which seem superficially consistent with the present; but in these early, post-Watergate films there was an idealist’s sense of betrayal that always pointed to the desire for transparency and restitution—a conviction that the world may be darker and graver now but that the possibility of right still existed (provided that the protagonist lived long enough).

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