Dirty Wars: New Film Exposes Hidden Truths of Covert U.S. Warfare
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But you asked about Jerome Starkey. When Jerome Starkey first exposed the cover-up of Gardez, NATO publicly attacked him by name and accused him of lying. And then, when more information started to come out about who did it, then they changed their story, but they never apologized to Jerome Starkey.
AMY GOODMAN: And, Rick Rowley, you have this remarkable footage. Aside from you both going to Gardez and interviewing survivors, talk about the video footage you retrieve there and the hands of the U.S. soldiers that you see.
RICK ROWLEY: Yeah, one of incredible things in Gardez, the family gave us cellphone videos that they had taken the night of the raid. And there was one clip in particular. It was early in the morning. It’s a shaky video. And we just thought it was just another sort of shaky video of the bodies. But then you can hear voices come over it, and they’re American-accented voices speaking about piecing together their version of the night’s killings, getting their story straight. And, I mean, you hear them trying to concoct a story about how this was something other than a massacre.
AMY GOODMAN: And you see their hands.
RICK ROWLEY: And you see their hands moving the corpses around and photographing the bullet holes. But we never get to see their faces. All we have are their voices. We spent a long time actually trying to analyze the audio to figure out, because a name is mentioned in one part of it, but it’s too thin and distorted on the cellphone to find out. I mean, these are the—these are the scraps and pieces that we have to use to reconstruct the story of these wars, because everything is systematically hidden from us. I mean, all we had to go on were these pictures that Jeremy Kelly took, this cellphone video, and that—
AMY GOODMAN: Jeremy Kelly is the photographer, videographer for Jerome Starkey.
RICK ROWLEY: For Jerome, yes, who is now the Kabul bureau chief—
JEREMY SCAHILL: Afghan correspondent.
RICK ROWLEY: Yeah. All we had were these tiny little scraps of clues that weren’t even supposed to exist, and pictures of a person who was unknown at the time. I mean, Admiral William McRaven, you know, no one knew who he was. I mean, that was the first sort of shock here—looked at him, see his rank, read his name. But he’s not—he wasn’t from the NATO command. He wasn’t from the Eastern Regional Command that owns that battle space. He was not even—I mean, why was this elite force operating, kicking in the doors on farmers? I mean, that is the sort of the—the mystery that begins the investigation.
AMY GOODMAN: And then you take this forward, Jeremy, back to the United States and show McRaven a photograph.
JEREMY SCAHILL: Right. And so, you know, after—after we learn that this figure, William McRaven, was the leader of this raid, it sort of—our film was sort of in the—this journey was sort of like pulling on the tail of an elephant that’s behind a hidden wall. And you’re pulling on it, and you’re pulling on it, and the cracks start to show this behemoth that’s behind a wall, and you realize that this is part of a much bigger story. And really, that kicked off a journey that took us to Yemen and Somalia and elsewhere.
And, you know, for us, I mean, the sort of—just this incredible looking-glass moment happened when Osama bin Laden was killed. And all of a sudden, everyone is talking about JSOC. It’s everywhere. I mean, we had spent so much time embedded in this story, where there was very little being written about it, except for a small circle of journalists. And all of a sudden, the people that—whose journey we’d been tracking had become national heroes. And Disney tried to trademark SEAL Team 6, and, you know, the Hollywood producers got in bed with the CIA to make their version of the—you know, the events, the sort of official history.