This Time, the Election Will Not Be Stolen

Ian Inaba is staging a revolution, and he damn sure wants it televised. His idea is to have videographers monitor voter polling sites during the upcoming mid-term elections and in greater numbers during the 2008 presidential election. Their purpose: bypass the mainstream media and provide real-time, online media coverage of any problems that arise at voting sites.

His plan for action is what he works on when not promoting his new documentary film, "American Blackout," which looks at the disenfranchisement of the Black vote in America and voting irregularities in the 2000 and 2004 national elections. The film also traces what journalist Greg Palast calls the "political lynching" of Rep. Cynthia McKinney, D-Ga., for openly questioning the Bush administration's policies involving Iraq and 9/11.

"American Blackout" received a Special Jury Award at the 2006 Sundance Film Festival. The San Francisco Chronicle called it "as much an indictment of liberal apathy as of conservative dirty dealing." Film Journal International called it a "paid advertisement for Cynthia McKinney."

Inaba, 35, is a journalist for the Guerrilla News Network. He directed the music videos for "Mosh" by Eminem and "Time and Time Again" by Chronic Future. Inaba also contributed to GNN's book "True Lies," about black box voting. The former investment banker is now creating his own grassroots, citizen journalism from his home base in Berkeley.

Inaba spoke with WireTap by phone about his "comfortable" life during San Francisco's technology "bubble," his life-changing decision to pursue alternative journalism, making music videos and his frustration with the Democratic Party.

WireTap: I know you're busy, because we've been playing phone tag for about three weeks now. What have you been up to?

Ian Inaba: I finally got a good night's sleep last night. I've been in Ohio doing the Video the Vote campaign, and I was also screening '[American] Blackout.' My film has been utilized in GOTV efforts for black youth and youth in general. The League of Young Voters and SEIU were screening the film, we had about 100 people in both Cincinnati and Columbus. It was a good mix of college kids and union workers.

WT: What kind of response do you get to your film from that crowd?

II: It's been very supportive, especially with the minority youth audience. We had 300 black youth in Chicago last week and it was amazing. I usually sit out in the hallway during screenings, and I'll see kids walk out to use the bathroom, and I'm always thinking, "What are you doing?" [Laughs]. But I have 16-year-old kids talking to each other, yelling, saying this film is made for us, this is our history, trying to inspire each other. I don't even have to say anything but just watch them organize on their own. When I made the film, I wanted to unite communities -- African-American working class voters and youth voters -- and I wanted them to organize.

WT: During these debates at screenings, is it typically folks of color in the audience or do you see White folks as well?

II: The screenings have been very mixed and the film plays well to both minority and mainstream audiences because I think deep down everyone want to know the truth about our democracy. One young viewer stood up and said, 'I thought I was aware and political, but this film makes me feel like I have been duped and my eyes have been opened. I will dedicate my life to being aware and hope that others will do the same.'

His sentiment is what came about in me when I started making the film. When you meet someone like [former U.S. Representative] Cynthia McKinney at the heart of the issue, going places that others won't go, informing others that many don't have the courage to go. She imposed that in me, and I want to do the same in others.