Two New Heroes for the Stoner Generation

At a recent Asian Pacific American (APA) community sponsored screening of Harold and Kumar Go To White Castle, New Line's latest release about two dudes in search of the perfect meal, the line of young APAs stretched down the hall and wound up the stairs. The same conversation was echoing throughout the room: Is this it? Are we going to recognize these two guys, or are we going to come out of this movie embarrassed, dejected and angry – like we usually do after seeing ourselves through Hollywood's eyes?

I saw an old co-worker of mine sitting a few seats away in the crowded theater. He and his group of friends, Chinese Americans in their early 20s, were worried.

"It's cool that it's so big," he said. "But couldn't it have been a better topic?"

Personally, I feel like I have been waiting my whole life for this movie. Not only was Harold and Kumar a mainstream, Hollywood production starring two Asian American men in the lead roles, but it was a stoner movie.

In the suburban Ohio town I grew up in there was a movie theater that played the 1993 Richard Linklater movie Dazed and Confused every Friday night at midnight for years. My friends and I would attend, quoting back the famous lines (Wooderson: "You got a joint kid?" Mitch: "No, man." Wooderson: "Well, you'd be a lot cooler if you did.") and cheering on the Texas teenagers in their quest for the ultimate high. Sure, none of the kids in the movie looked anything like me, an Indian American, but I was right there with them.

Like other classic movies in its genre, Harold and Kumar is an adventure story riddled with mishaps and guided by the love for marijuana. The great thing about stoner movies is that they become legendary – made to be watched over and over and quoted eternally. The idea that kids across America will be quoting two Asian American guys, slapping Harold and Kumar stickers on their drug paraphernalia and watching this movie over and over makes me feel like we have arrived in a whole new way.

There is no lack of "diversity" in stoner movies. In fact, people of color seem to be holding it down in this popular film genre. From Cheech Marin's over-the-top portrayal of a cholo smoker in the classic, 1970s Cheech and Chong movies to 1995's uber-popular Ice Cube/ Chris Tucker hit Friday, the weed seems to be growing in abundance in marginalized communities. Magical marijuana even helped Redman and Method Man get to Harvard in the bizarre 2001 movie "How High." But many of these drug-induced caricatures seemed to be equal parts empowerment and equal parts minstrel show. In Cheech's drunken ditty "Mexican American" from Up in Smoke, he sings about how his people are like everyone else: "Mexican Americans don't like to just get into gang fights, they like flowers and music and white girls named Debbie too."

So, in Harold and Kumar, when we are introduced to Kumar, played by Kal Penn, and he is sitting in a medical school interview with his tie askew and interrupts his interviewer to answer his cell phone and cajole Harold into smoking the sticky weed he has back at the apartment – I couldn't help but applaud. I thought: A new hero for the stoner generation, and he could be my brother!

What Harold and Kumar achieves, beyond the typical weed-fueled, buddy-movie plot of most stoner movies, is to bring to life Asian Americans in a way that has never been seen in Hollywood before. Harold and Kumar are underdogs, sure – the white guys at work dump on Harold, and the extreme sports losers intimidate Kumar and call him Apu – but they are normal, horny, weed-smoking dudes. The writers, Jon Hurwitz and Hayden Schlossberg, say they based the characters on friends they grew up with in New Jersey, where the film is set. From Kumar's doctor father pressuring him to go to med school to the black men they encounter in jail whose only crime was the color of their skin, I thought the film tackled issues of race and stereotype in a more complicated way than anything I've seen before – especially from Hollywood.