Report: Maureen Dowd Repeatedly Uses Gender to Mock Democrats
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Summary: A Media Matters for America review of Maureen Dowd's columns since the beginning of 2007 reveals that Dowd frequently characterized Sen. Hillary Clinton as masculine, while portraying Sen. Barack Obama and John Edwards as feminine. By contrast, Dowd rarely feminized the all-male Republican field and, during the period Media Matters reviewed, has never feminized Sen. John McCain, whom she has referred to in one column as a "tough guy."
A Media Matters for America review of Maureen Dowd's New York Times columns between January 1, 2007, and June 8, 2008, reveals that Dowd has frequently characterized this election cycle's leading Democratic candidates -- Sens. Barack Obama and Hillary Clinton and former Sen. John Edwards (NC) -- using gendered language, specifically characterizing Clinton as masculine, and Obama and Edwards as feminine. For example, Dowd wrote on March 3, 2007: "If Hillary is in touch with her masculine side, Barry [Obama] is in touch with his feminine side." On June 4, Dowd asserted: "Barry [Obama] has been trying to shake off Hillary and pivot for quite a long time now, but she has managed to keep her teeth in his ankle and raise serious doubts about his potency. Hillary's camp radiated the message that Obama was a sucker who had played by the rules on Florida and Michigan, and then reached an appeasing compromise, and that such a weak sister could never handle Putin or I'm-A-Dinner-Jacket." Besides characterizing Clinton as masculine, Dowd often portrays the New York senator and former first lady as domineering, having called her "Mommie Dearest" and "Mistress Hillary. Dowd also often compares Obama to a child, calling him "boy wonder" and "the Chicago kid." By contrast, Dowd rarely feminized the all-male Republican field, and, during the period Media Matters reviewed, has never feminized Sen. John McCain, whom she has referred to in one column as a "tough guy[]."
Obama
Dowd has described Obama as "the diffident debutante" and "America's pretty boy." She has characterized him and his campaign as seemingly "effete," writing on March 9: "Obama's multiculturalism is a selling point with many Democrats. But his impassioned egghead advisers have made his campaign seem not only out of his control, but effete and vaguely foreign -- the same unflattering light that doomed Michael Dukakis and John Kerry." Similarly, in an April 2 column, Dowd claimed that "[h]is strenuous and inadvertently hilarious efforts to woo working-class folk in Pennsylvania have only made him seem more effete." Later in the column, she wrote: "At the Wilbur chocolate shop in Lititz Monday, he spent most of his time skittering away from chocolate goodies, as though he were a starlet obsessing on a svelte waistline."
Dowd wrote on January 30: "Obama is the more emotionally delicate candidate, and the one who has the more feminine consensus management style, and the not-blinded-by-testosterone ability to object to a phony war." Similarly, on February 24, Dowd claimed:
And when historians trace how her [Clinton's] inevitability dissolved, they will surely note this paradox: The first serious female candidate for president was rejected by voters drawn to the more feminine management style of her male rival.
The bullying and bellicosity of the Bush administration have left many Americans exhausted and yearning for a more nurturing and inclusive style.
Customarily in presidential races, Americans seek a patriarchal figure, a strong parent to protect the house from invaders and financial turbulence.
But with Barack Obama, this dynamic seems reversed.
He seems more like a child prodigy. Those enraptured with his gifts urge him on, like anxious parents, trying to pull that sustained, dazzling performance out of him that they believe he's capable of; they are willing to put up with the prodigy's occasional listlessness and crabbiness, his flights of self-regard and self-righteousness. Despite his uneven efforts and distaste for the claws of competition, they can see he is a golden child, one who moves, speaks, smiles and thinks with amazing grace.
She showed again with her squeaker win in Indiana that for many white working-class men, she is The Man -- more tenacious and less concerned with the judgments of the tony set, economists and editorial writers. Talking up guns, going to the Auto Racing Hall of Fame, speaking from the back of pickup trucks and doing shots of populism with a cynicism chaser, Hillary emerged from a lifetime of government limos to bask as queen of the blue-collar prom.
Gloria Steinem wrote in The Times yesterday that one of the reasons she is supporting Hillary is that she had "no masculinity to prove." But Hillary did feel she needed to prove her masculinity. That was why she voted to enable W. to invade Iraq without even reading the National Intelligence Estimate and backed the White House's bellicosity on Iran.
Hillary was so busy trying to prove she could be one of the boys -- getting on the Armed Services Committee, voting to let W. go to war in Iraq, strong-arming supporters and donors, and trying to out-macho Obama -- that she only belatedly realized that many Democratic and independent voters, especially women, were eager to move from hard-power locker-room tactics to a soft-power sewing circle approach.
It's impossible to imagine The Terminator, as a former aide calls her, giving up. Unless every circuit is out, she'll regenerate enough to claw her way out of the grave, crawl through the Rezko Memorial Lawn and up Obama's wall, hurl her torso into the house and brutally haunt his dreams.
He put up an ad Friday on his campaign Web site slamming her as a hypocrite for running an antiwar campaign after supporting the president on the authorization for war.
Obama has been trying to make this point for quite a while, but so gingerly that every time he sneaks up on it, Hillary surges ahead.
Rudy doesn't do ginger.
Hillary has been trying to Rudy-up, corralling ground zero and playing the fear card, saying that if there were a terrorist attack before the election, only she could stop Republicans from keeping the White House. But Rudy aims to de-Rudy her. His ad is an instant cult classic, with a solemn trumpet that is reminiscent of "Taps" and a narrator who sounds like the guy who does trailers for "In a World Gone Wrong" disaster flicks.
Just when Hillary was basking in her reinvention of herself, Rudy sprang out of the Republican primary shadows and shoved her back.
He ignores her attempts to be New Hillary, a senator who loves men in uniform, who is not afraid to use military power, and who is tough enough to deal with bin Laden. He recasts her as Old Hillary, a Code Pink pinko first lady and opportunist from a White House that had a reputation for having a flower-child distaste for the military, a left-wing shrew who made a secret socialist health care plan and let gays into the military and certainly can't be trusted to fight the jihadists.
See more stories tagged with: new york times, maureen dowd
Lauren K. Auerbach and Tom Allison are researchers for Media Matters for America.
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