Ken Burns, You're Better Than That!

Imagine making a multi-hour, nationally broadcast series for public television about baseball -- but never mentioning Roberto Clemente. Or a multi-hour, nationally broadcast series for public television about jazz -- without referencing Tito Puente or Celia Cruz or Eddie Palmieri. Impossible, right?

So how did Ken Burns and PBS manage to construct a multi-hour, nationally broadcast series of public television about World War II without including any interviews with Hispanic American veterans?

Burns, whose reputation as one of pubcasting's leading documentarians rests on his penchant for producing exhaustive (some say exhausting!) examinations of epochal subjects and events, is coming under attack for what he didn't include in his forthcoming (September 2007) PBS series, The War.

Latino leaders from a range of civil rights, veterans' and media activism groups are calling for the series to be revised before it airs -- but PBS is refusing. Maggie Rivas-Rodriguez, a journalism professor at the University of Texas at Austin, is among them. "We continue to be invisible," Rivas-Rodriguez recently told the public telecommunications newspaper Current. "This is one that we're not going to allow."

Gus Chavez, a retired university administrator from San Diego who participated in a recent meeting with PBS execs, echoed her fighting words. The War documents a "major national experience and we're not part of it and we don't want it to be shown until it's corrected," said Chavez. "We are not going to sit still and let historical events of this nature be presented without our input and representation." Navy veteran Chavez has joined Rivas-Rodriquez in organizing "Defend the Honor," a campaign for recognition.

"We are totally geared to making the general public aware of our concern that this documentary is misrepresenting the war as it's presented to exclude the Latino experience," Chavez told Current.

But PBS President Paula Kerger says the network is standing foursquare behind Burns -- the star of her system. "While we acknowledge and respect the concerns you have raised, we do not agree that going back into production to revise a completed series that represents one filmmaker's vision is the appropriate solution," Kerger wrote in a letter to Rivas-Rodriguez, Chavez and other meeting participants. Instead, Kerger pointed to a Corporation for Public Broadcasting-backed outreach project tied to The War that is designed to bring out stories not told in Burns' series.

Kerger's muted response to the Hispanic concerns incensed Rivas-Rodriquez, who noted:

PBS is more concerned with maintaining its respectful relationship with Ken Burns than its relationship with the Latino community and its veterans of World War II. But it is public broadcasting -- funded in part by taxpayer money -- and it should be more respectful to the community than to any individual filmmaker.

"The Second World War," he told Current, "is where the community felt it had earned the right to citizenship that had been denied since 1848" -- the end of the Mexican-American War. "This is a critical turning point in their recognition as citizens and they're not there" in Burns' series, Noriega said. "You can understand why people would be upset." PBS is a "public entity receiving public funding to describe this history and they're just not there in the image."

Several Hispanic-American leaders released letters of protest to Kerger just before a recent congressional hearing on CPB funding. "A documentary on World War II that excludes the contributions of Hispanic Americans is inaccurate and incomplete, and thus fails to meet the standards of fairness and excellence for which PBS has been previously recognized," noted Congressional Hispanic Caucus chairman Rep. Joe Baca. The caucus asked Kerger to withdraw The War "until this omission is corrected." Hispanic soldiers in World War II received more Congressional Medals of Honor than other ethnic groups in proportion to their numbers in the armed forces.