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Democracy Is Everybody's Business

By Vince Darcangelo, Boulder Weekly. Posted October 8, 2004.


Krist Novoselic, the former bassist of Nirvana, ditches grunge and embraces government.
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In the early '90s, Krist Novoselic played bass for Nirvana, one of the most popular bands of the decade. While politically active as a musician, in his post-rock-idol life he has become very involved in politics. In September, Novoselic released his first book, "Of Grunge and Government: Let's Fix This Broken Democracy," which takes on the issues of political activism and electoral reform. Novoselic is currently on a lecture tour, including a stop in Denver last month.

Vince Darcangelo: In "Of Grunge and Government," you touch on how musicians can have a role in effecting political change. How did you get involved in politics?

Krist Novoselic: As far as music goes, I like to say that democracy is everybody's business. Musicians have an edge on other vocations or pastimes because people really look for meaning in music, and I believe that people look for meaning in their politics. I say in the book that it's no mistake that a political event is called a rally, because you want to rally people. I make the analogy that there is a time for a new wave in music when things get predictable and the establishment is just entrenched, and I believe the time is right for a new wave in politics. This new wave would be greatly facilitated by a change in our electoral system to have more inclusive elections and have more competition.

One thing that stood out with me, where you're discussing different options for electoral reform, was instant run-off voting. I was very intrigued by that. That's something that there hasn't been a lot of press about.

No. There's an instant run-off election being conducted in San Francisco right now. It's very interesting how the press is covering it, how the candidates are interacting. Candidates are actually endorsing each other because they want to be the second choice because they identify this constituency of the opposition. They're going to each other's events. It reduces negative campaigning. It's interesting how it works. It's one of those things where it's innovation and it's inclusion. I say if you build it, they will come. If you have elections where people feel like they're not wasting they're vote or voting for the lesser of two evils, that could be the start to building a positive perspective toward our democracy.

I talk about cynicism, and I'm really tired of cynicism. It's a trap. There's a lot of fear out there right now, and a lot of cynicism – and for good reason; I'm not saying that people shouldn't be fearful or cynical. I'm just proposing a potential remedy to those afflictions.

My feeling is that is where the book really succeeds. In the book you focus not only on the challenges, but the victories. How important is it that activists and artists don't go too far to either extreme of cynicism and nihilism on one side and empty, rah-rah sloganeering on the other side and stay focused on the real challenge?


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Vince Darcangelo is an award-winning writer for the Boulder Weekly newspaper in Boulder, Colorado, where he has been the arts and entertainment editor since 2003. Soundtrack to a Revolution combines his love of loud music and liberal politics.

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