The Pleasant Probation of Tommy Chong

Tommy Chong never was much of a stoner, but one of his most popular characters ("Man") was. So when Tommy's son Paris put Man's face on the surfaces of seditiously shaped blown glass (bongs, pipes) and was blatantly entrapped into sending 5,000 bucks' worth across state lines to undercover feds, Ashcroft's Justice Department took the opportunity to send Tommy to the Wackenhut-managed Taft Correctional Institution for nine magical months, to punish him not only for financing and promoting his son's glass-blowing studio but for, as the federal prosecutor put it, "glamorizing the illegal distribution and use of marijuana" in entertainment products that "trivialize law-enforcement efforts to combat drug trafficking and use."

At the time – two years ago – it might've seemed to anyone watching the ensuing "mission accomplished"-style press conference that Ashcroft was, well, confused. By bringing up Chong's so-called glamorizings and trivializings as aggravating factors, the Justice Department appeared unable to distinguish creator from creation, portrayal from endorsement. The result was that, of the 55 people similarly Ashcrofted all over America in "Operation Pipe Dreams" (yes, that was the sting's actual name), only one was incarcerated: Tommy Chong.

Let's apply the Justice Department's rule to lesser crimes against humanity: If, for example, Harvey Keitel and 54 others get pulled over for driving 75 in a 65 on the 405, shall justice be served by sending home the 54 others with speeding tickets but sending Keitel to the slammer, because he played Sport in Taxi Driver, Mr. White in Reservoir Dogs and Judas Iscariot in The Last Temptation of Christ?

"All they knew," Chong says, "was that my popularity commanded their attention. They couldn't give a shit if it was the stoner character that they put in jail, or me. It was all the same to them. They just wanted to show the entertainment world that we're vulnerable. 'You do something that we don't like, you're going to end up in jail.' That's the message they put out.

"I call this the Tsunami Government. This government is just like the tsunami. It's coming in, it's going to wreak havoc and desolation, and then it'll go out. It'll disappear. So we just have to live through it."

Chong and I are lounging on a Starbucks patio at the far west end of Sunset Boulevard, just down the hill from his house in Pacific Palisades, ingesting government-approved mind-bending caffeine cocktails. Not long after his release from prison, Chong accepted an offer to perform in The Marijuana-Logues, an off-Broadway stage production written by Arj Barker, Doug Benson and Tony Camin and directed by Jim Millan. He spent much of this past winter doing eight shows a week at New York's Actors Playhouse, until Ideal Entertainment Group and Magic Arts & Entertainment picked up the show and sent it out on a North American tour that includes two shows at the Wilshire Theater this Saturday night. [Editor's Note: The Marijuana-Logues tour has been cancelled, and Chong barred from performing the play, until his parole is up this summer.]

"When I was doing the show in New York," says Chong, "every day I'd walk to the theater, and I'd be walking on air, because I'm going to do a play! I loved it. Loved it! Any excuse to live in New York and do art. Has to be one of the most rewarding experiences in the world."

Chong's long career began in 1938 in Edmonton, Alberta, where he commanded the attention of his parents by shitting his diapers, dribbling and crying for milk. After World War II, the family moved down to a town called Dog Patch, on the outskirts of Calgary, so that his father, who'd been wounded in the war, could be close to a veterans hospital. In Dog Patch, Tommy learned at a very young age that he didn't want to live in Dog Patch, so he quit school, became a musician, moved to Vancouver, co-wrote a minor Motown hit with Bobby Taylor and the Vancouvers, started a comedy troupe called City Works, met Cheech Marin and formed Cheech & Chong. Cheech & Chong performed sketch comedy all over North America, moved to Los Angeles, and put together a wildly popular series of comedy albums and high-grossing movies.