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Do CEOs Have Any Shame? They're Firing Workers and Giving Themselves Raises
Of all the compliments I’m inclined to pay to George Packer’s new book, “The Unwinding: An Inner History of the New America,” the one worth paying first is that it’s a pleasure to read, though not in the way I anticipated.
Packer is intelligent, explicitly analytical and happy to give himself plenty of word count to interrogate his subject from every angle. It’s a style he brings to his reporting in the New Yorker and to books like “The Assassin’s Gate: America in Iraq.”
“The Unwinding” is complex and intelligent, but these qualities are coalescent rather than explicit. And the narrative space of the book is highly pressurized. The chapters are short. The sentences shoot forward. The descriptors come quick and sharp and loaded for bear. The perspective jumps from one protagonist to the next rapidly, with nothing connecting the many characters — knowns like Newt Gingrich, unknowns like struggling biofuels entrepreneur Dean Price — except for Packer’s masterful location of them within the larger drama of the “unwinding.”
“If you were born around 1960 or afterwards, you spent your adult life in the vertigo of that unwinding,” writes Packer in his prologue. “You watched structures that had been in place before your birth collapse like pillars of salt across the vast visible landscape — the farms of the Carolina Piedmont, the factories of the Mahoning Valley, Florida subdivisions, California schools. And other things, harder to see but no less vital in supporting the order of everyday life, changed beyond recognition — ways and means in Washington caucus rooms, taboos on New York trading desks, manners and morals everywhere. When the norms that made the old institutions useful began to unwind, and the leaders abandoned their posts, the Roosevelt Republic that had reigned for almost half a century came undone. The void was filled by the default force in American life, organized money.”
I spoke to Packer by phone for about an hour, primarily about two things. One was the challenge of finding a way to tell this huge story in a way that felt intimate and narratively compelling. The other was about what I sensed was a fierce moral indignation at the core of the book. Packer wasn’t just acting the reporter, telling all these stories about how America had changed. He was saying that something has gone very wrong in this country. People are suffering. And there are people to blame.
Describe the genesis of the book for me.
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