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Marvin Gaye's National Anthem completes the circle [VIDEO]

Posted by Evan Derkacz at 10:37 AM on April 6, 2007.


Thomas Dolby: Networks can't handle a black man singing a soulful National Anthem...
gaye anthem

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Guest post by Thomas Dolby; first appeared on Thomas Dolby's blog HERE.

I just watched a clip on YouTube that filled in a missing blank in my personal history. And I'm blubbing my eyes out right now.

In 1985 I was asked to perform live at the Grammy Awards with Stevie Wonder, Herbie Hancock, and Howard Jones. [Note: there is also a clip of this, but that's NOT what this blog is about. Read on!] The producers wanted us to play a synth medley consisting of one hit from each of us, and ending with the US National Anthem. As the TV show was to be mimed, we were booked to record the backing track the day before the dress rehearsal at Stevie's studio on Western in Los Angeles, which was a huge and beautiful old movie theater.

This was quite an elaborate process, and it took all day. Towards nightfall Stevie's manager took myself and Howard aside and told us that Stevie was going to play a practical joke on Herbie, and it was going to be filmed for a TV show called 'Bloopers.' Stevie had told Herbie that we'd been recording on a brand new prototype Sony 48-track digital recorder, and that two top Sony executives from Japan were coming to be filmed with us at the session. They showed up, bowing very cheerfully, everybody danced around to our groovy backing track, and the cameraman was getting it all down. But suddenly someone in the control room pressed the wrong button, and the tape went silent. It seemed all 48 tracks had mistakenly gone into 'erase' mode, leaving a 5-second silence in our recording.

Of course, everybody but Herbie knew it was all a hoax. They allowed him to suffer for about 5 minutes before telling him the truth. Everybody was delighted with the joke, even Herbie, and around midnight people started to disperse to different parts of the building.

But I was a bit concernced as we had not yet recorded 'The Star Spangled Banner', and we were due at the Grammy's rehearsal in about 10 hours' time. So I went to look for Stevie in the maze of small rooms scattered around the building. Usually he is pretty easy to find as there's an entourage of several people with him. But on this occasion he was nowhere to be found.

I eventually tracked Stevie down. He was ...

... all alone, in an attic-like room on the top floor of the building filled with old files and papers. He was on his knees, playing a beaten-up upright piano.

I announced my presence, and reminded him we had an anthem to record. He asked if I had any ideas for it. I said, what about a really slow sexy groove on a drum machine, and really spread it out? Stevie thought for a moment, then said 'uh-uh. Marvin tried that one time man. He sang it that way at an NBA all-star game, and you know what? he never got on TV again until the day he died. Because all the network executives couldn't handle a black man singing a sexy soul version of the National Anthem.'

Ok, I thought, that wasn't such a good idea. But the image of Marvin, one of my all time favorite singers, shocking televisionland in his own inimitable style, was too much. So I said 'wow, that must have sounded pretty great! How did he sing it?'

Stevie's head stopped moving and for a few seconds he was completely motionless. Then slowly his fingers found the piano keys, and he started to play and sing. He sang the song through to the end. For those two minutes I don't think my heart beat at all. I couldn't breathe. I swear if my vital signs had been hooked up to a monitor, it would have been a flatline.

He was simultaneously recalling the song; translating the chords into a gospel style; and playing in his memory banks, if not perhaps the exact licks, then at least the soul and the feeling of Marvin's vocal performance from two years earlier. His only audience was me, huddled in a corner of this dusty attic. And any single line was one that I (or any almost other singer on the planet) would have given my right eye for.

I've told this story a few times over the years. But until tonight, I had never seen Marvin's actual performance the NBA game. I'd never thought to look for it on YouTube--though now I come to think of it, it's a natural for someone to put up there. By chance I saw an article today about Marvin, and it included a link to the clip. So, thanks to YouTube, a little piece of history is now complete for me. From the first few seconds I was completely crying my eyes out.

Here it is.

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Tagged as: race, tv, national anthem, pop music, marvin gaye

Thomas Dolby is the genius behind "She Blinded Me with Science" and numerous other songs.


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Stunning
Posted by: Fishbone Soldier on Apr 6, 2007 1:38 PM   
Current rating: Not yet rated    [1 = poor; 5 = excellent]
For well over a decade, that has been my favorite version of our national anthem. It's available on Marvin's Boxed Set (The Master), but I'm not sure if it's kicking around on any other releases. He took a song about war and turned it into pure soul.

But Dolby's story about Stevie Wonder is equally fantastic. What I wouldn't have given to be hanging out in that room then. Amazing. I'm getting chills just thinking about the fact that such a moment existed.

The same chills I get every time I hear Marvin's version of the Anthem. And just in case you're wondering, that was no lip-synch job by Marvin. He actually pulled a fast one on the organizers and only gave them the tape of his backing music something like 40 minutes before he was to sing, arriving late to the arena. Apparently he knew the people in charge would never let him sing a version like this, so he knew he had to kind of pull a fast one. It's absolutely beautiful.

Fight the Youth

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Old Saying
Posted by: NoPCZone on Apr 6, 2007 2:22 PM   
Current rating: Not yet rated    [1 = poor; 5 = excellent]
I remembered this old saying while reading this essay

'You can be a musician or you can be in the music business- but not both'

Marvin was an artist and he didn't let the moneychangers get between him and his art on that day. Art, beauty and genius prevailed.

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smcsong
Posted by: smcsong on Apr 7, 2007 8:02 AM   
Current rating: Not yet rated    [1 = poor; 5 = excellent]
I've felt for a long time that one of the things we should all be working toward is a future where we can pour whatever color of soul we've got into a song about this country without reservation. One reason this tape is so fine is because Gaye could sing a song to break your heart. But the other reason it makes us cry is that we are so worried about our country. I hope they leave it up forever, to remind us of where we need to be headed. I'd sure stop by.

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» RE: smcsong Posted by: AndreaN
Awakening
Posted by: rg on Apr 7, 2007 9:28 AM   
Current rating: Not yet rated    [1 = poor; 5 = excellent]
I have never cared for the Star-Spangled Banner, not just because of its lyrics, but because every singer that I have ever heard sing it either sounded uncomfortable, or made a mess of it - until now.
THIS should be the National Anthem of people who want to improve the US - it's absolutely beautiful.

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an absolutely beautiful rendition
Posted by: nor cal surfer on Apr 7, 2007 10:58 AM   
Current rating: Not yet rated    [1 = poor; 5 = excellent]
i don't watch sports on TV, but i wish i had seen this. amazing. the soul came thru in such striking fashion. ya know, having worked for one of the big 3 networks in the 80's... i have to ask: is there any connection between Marvin's treatment and Rosanne Barr's treatment? he injected soul, she mocked. he was 'banned', and she ruled prime time.

white men and their money. in a parallel universe, i wonder what the network CEO's could barter to put food on their tables? it sure wouldn't be soulful performances, or even to Rosanne's credit, a hearty laugh.

perhaps they'd be relegated (by talent) to the red light district.

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Christee
Posted by: christee on Apr 7, 2007 12:49 PM   
Current rating: Not yet rated    [1 = poor; 5 = excellent]
Thank you Ater-net, thank you, You Tube, thank you Marvin. What a great, great, rendition of our National Anthem. May this incredible piece of work become a national treasure and may it be played for the masses who love this country and those outside of it so they can see that there are so very many of us who love our country with a love that wants peace for everyone who wants it.

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I can't quite agree . . .
Posted by: Topaz on Apr 7, 2007 2:40 PM   
Current rating: Not yet rated    [1 = poor; 5 = excellent]
with this rendition. Call me old-fashioned or whatever, but I believe songs should be sung the way they were written. It happens all too often now when these idiot pop singers jam 20 notes into one and it sounds like dick. They sound like they're on American Idol. What is so hard about singing it properly, the way it was written? Being a musician, unlike most artists today, I have this crazy notion that songs should be done properly and without adding shitty 20-note bars where they should be holding one note. Just because you can jam all those notes together doesn't mean that it sounds good, or that you have talent. It just means you can sound like a buffoon on national TV while butchering our national anthem like a rump roast.

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» RE: I can't quite agree . . . Posted by: Fishbone Soldier
» RE: I can't quite agree . . . Posted by: Mr. Terrific
Great Anthem
Posted by: toddmintz on Apr 8, 2007 6:45 AM   
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I was 100 feet from Marvin when he sang the Anthem. I wrote a story about the experience that I posted on my personal website here. It was an incredible moment in history.

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it's the words that matter
Posted by: orwellwasn'tdreaming on Apr 8, 2007 8:50 AM   
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Mr. Gaye's version of the anthem draws attention to what this song actually means because of the emotion he evokes and the attention he gives it. Usually we can't wait for it to be over--it's just an impediment to the start of an event, and even sung well it can be less than aesthetically pleasing--but in this case, soulful, in all its meanings, is the proper word. This can be heard as a psalm of thanksgiving for the survival of our country's symbol. It's an approach I much prefer to the bushesque jingoism and militarism rampant in this country today.

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